L'Heure bleue - Série Lagune, 2025
William Fautré  

Painting : acrylic · 50 x 50 x 3.5 cm 19.7 x 19.7 x 1.4 inch · Ready to hang

€700 700 €
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Shipped from: France

Delivery to: Italy , € 63

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

50 x 50 x 3.5 cm 19.7 x 19.7 x 1.4 inch Height x Width x Depth

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Description

This captivating work evokes an abstract seascape, where the blurred horizon blends with vibrant shades of blue. The bold use of fluid brushstrokes creates a dynamic movement, suggesting the tranquility of a calm ocean beneath a clear sky. Touches of bright yellow add a striking contrast, simulating the refraction of sunlight on the water. Dark shadows in the lower right provide intriguing depth, perhaps suggesting hidden lands or reefs. The chromatic intensity perfectly complements the serene tone of the composition, inviting meditative reflection. The artist succeeds in capturing a unique poetic essence, where the abstraction of the landscape becomes an invitation to an inner journey.

Abstract

Minimalism

Seascape

Horizon

Lagoon

Imaginary landscape

Semi-abstract

Abstract Minimalism

Sky blue

William Fautré, L'Heure bleue - Série Lagune
France  • 1958

Presentation

Born in 1958 in Normandy, William Fautré, who worked for thirty-five years as a photographer for specialist nature and tourism magazines (Terre Sauvage, Grands Reportages), has always painted alongside his professional career.
 

Self-taught, he also took sculpture classes in the studio of Pascal Gilbert de Vautibault, a resident of the Villa Medici. From his years as a photographer, he has retained a keen eye for detail, a careful selection of light, a precise sense of composition, and a deep immersion in the natural environment. His paintings mainly depict semi-abstract landscapes.
 

For him, a landscape is not merely a backdrop; it is also a vehicle for emotions. It transforms with the play of light. From those hours spent capturing the indefinable, he has retained a sense of fulfilment and energy. His paintings seek to recapture that unity of the moment. Standing before the canvas, emotions resurface. A horizon line where colours and shapes gradually compose landscapes that evolve on the edge of abstraction. It is this boundary that interests him, for it leaves room for the imagination. Little by little, the elements take shape as the painting is constructed. “I do not intend to reproduce nature, but to find my place alongside it.”

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