Freija, 2026
Painting : acrylic, ink, gold leaf, etching, mixed media · 144 x 80 x 1.5 cm 56.7 x 31.5 x 0.6 inch
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 125
Estimated delivery: Five to six weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
144 x 80 x 1.5 cm 56.7 x 31.5 x 0.6 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2024
Description
In the early darkrooms, silver received the imprint of the world, and those who watched remained silent. It was not an image. It was what light leaves behind when it consents to pass through—something irreversible and sacred.
Before the gods, there was Freija. Not before in time—before in the order of the heart. Norse goddess of love, fertility, magic, and war, she travels the nine worlds of Norse cosmology in her chariot drawn by two wild cats, clad in her falcon-feather cloak that grants her the gift of flight. The Brísingamen necklace she wears around her neck—the most precious object of the nine worlds, mined by dwarves from the depths of the earth—is the very gold of the surface, made visible. It is not a jewel. It is a transmutation.
She was the first to welcome half of the warriors who had fallen in battle. Not the fiercest ones—those she recognized. For Freija saw what no one else could see—that particular light that some carry even in their darkest hours, that incandescent glow that hardship reveals instead of extinguishing.
The gold that runs up her delicate tiara doesn't adorn her. It defines her. For Freija taught seiðr to Odin himself—that profound magic that works not on things but on the living fabric of what is possible. Odin, the most powerful god, came to learn at her feet what no victory could give him. Not power over the world. A luminous intimacy with that which weaves it.
She wept tears of gold for what she loved. These tears became veins in the rock — tenderness transformed into light that men have sought for centuries without understanding that it was so simple, so human, so beautiful.
Stare long enough. Your retina will become saturated with this gold and this Nordic depth. Close your eyes. What appears is not a vision. It is recognition—that overwhelming feeling of being seen exactly as you are, without having asked for it, by someone who knows both sides of the world and who still chose to look at you.
Presentation
Carole Framezelle – Creator of L'Inversalisme®
An alchemical painting, a passage between worlds
Carole Framezelle explores the boundaries of perception through L'Inversalisme®, a pictorial and vibratory approach she has trademarked. Her work questions the relationship between light and shadow, visible and invisible, offering a sensory experience where the image transforms before the viewer's gaze.
Each work is born from an initial pictorial gesture, executed on canvas or paper. Then, like a reverse daguerreotype, the image undergoes a transmutation where light and color reinvent themselves. This transformation does not freeze the work: it animates it, giving it a unique vibration, evolving according to the viewing angle and the light intensity.
Inversalism®: an alchemy of the gaze
Inversalism® is based on a subtle exploration of perception and the phenomenon of afterimage. When a viewer gazes at an inverted work for a long time, their gaze instinctively reconstructs the hidden image. This play of light and shadow creates a lasting impression, a resonance that persists beyond the moment of contemplation.
This sensory dialogue is at the heart of Carole Framezelle's work. She seeks not only to represent, but to make us feel: each creation becomes a passage, a door to another reality, where the viewer is invited to interact with the work.
An exclusive and protected process
Far from a simple chromatic inversion, his work is the result of in-depth research into light and matter. Each painting undergoes several phases of transformation, resulting in a composition fixed on a noble and resonant support, whose surface captures and transforms the light.
The resulting works seem to evolve with the time of day, offering a different interpretation with each glance. This unique approach, combining pictorial art, visual illusion, and transmutation, makes each creation a vibratory imprint, a balance between materiality and mystery.
Acmiya: a vibrational signature
Each of Carole Framezelle's works bears the Acmiya signature, symbolizing an artistic quest in which art becomes a bridge between worlds. Her creations are not simply contemplated; they challenge, question, and resonate.
Paint differently. Invert the light. Reveal the invisible.
Reviews from our customers
All our reviews are extracted from Verified Reviews
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