Laissez passer A 38 I, 2026
Painting : mixed media · 120 x 80 x 3 cm 47.2 x 31.5 x 1.2 inch · Ready to hang
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Shipped from: France
Delivery to: United States , $ 432
Estimated delivery: Two to three weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
mixed media on wood
Dimensions ( cm • inch )
120 x 80 x 3 cm 47.2 x 31.5 x 1.2 inch Height x Width x Depth
Artwork dimensions including frame
123.2 x 83.5 x 4 cm 48.5 x 32.9 x 1.6 inch
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
This work explores the saturation of language in our contemporary daily lives. Against a background made up of fragments of administrative documents, red typographic writing unfolds in structured lines, evoking an organized text whose reading nevertheless remains impossible.
The writing, asemic and invented by the artist Julien Barriol, is constructed from administrative stamps such as "invoice," "paid," "false," "urgent," or "invalid." Diverted from their original function, these words are assembled to form signs and sequences reminiscent of a writing system, without ever conveying an explicit message.
This linear organization suggests an attempt to rationalize and order language, quickly undermined by the impossibility of reading. The gaze oscillates between recognition and loss of meaning, confronted with an accumulation of signs that mimics communication while simultaneously revealing its limitations.
Through this work, the artist questions our relationship to administrative systems and contemporary information flows, where the proliferation of messages ultimately produces a form of confusion and distance from meaning.
Presentation
Julien Barriol works with a form of asemic writing that is uniquely his own. It draws inspiration from simple geometric shapes and signs found in ancient scripts, books, films, and even video games. This graphic language acts as a reflection of traditional or imaginary scripts, allowing the understanding of the work to emerge through aesthetic intuition and the medium on which it is presented.
He aims to turn the viewer into a kind of archaeologist, provoking them to ponder what they see. Symbols painted in red appear behind the cracks of a decrepit wall. Vestiges of traces are eroded by the waves on a beach at low tide. On the pages of an old grimoire, between an incantation and a grandmother's remedy. A variety of mediums are used—engraved, painted, sculpted—but always inlaid with this lettering.
This unknown and non-verbal language is open to any interpretation. The viewer is free to choose their preferred meaning: a forgotten language from ancient times, a mystical and magical script, glyphs from another world, or symbols from the edges of the universe…
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