No title, 2026
Sander Reijgers  

Painting : acrylic · 52 x 62 x 5 cm 20.5 x 24.4 x 2 inch · Ready to hang

$4,114 4 114 $US

One of the last works available by this artist

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Shipped from: Belgium

Delivery to: United States , $ 75

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

52 x 62 x 5 cm 20.5 x 24.4 x 2 inch Height x Width x Depth

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Credentials

Vetted seller since 2013

Discount

This seller offers discount when you purchase multiple artworks.

Description

This striking artwork is distinguished by its rich texture and vibrant color contrast. Dominated by an incandescent red, the canvas evokes an intense and captivating energy. The lower surface presents a juxtaposition of warm tones, blending orange, yellow, and touches of green, creating an intriguing depth and dimension. The rough, almost sculptural texture offers a unique tactile quality that draws the eye. The irregular edge lends an organic dimension, adding to the overall dynamism. In this composition, the artist succeeds in capturing an essence that is both tumultuous and harmonious, inviting contemplation. It is a bold exploration of color and matter, a powerful encounter between abstraction and sensory expression.

Abstract

3D

Colors

Relief

Red

Netherlands  • 1977

Presentation

Sander Reijgers was born in 1977 in Alphen aan de Rijn, the Netherlands, and graduated with a Bachelor of Fine Arts degree from the Utrecht School of Art in 2006. In 2014, he earned his teaching degree in visual arts. In addition to his work as a freelance artist, he teaches visual education at a secondary school.

Sander Reijgers' paintings are the result of long, layered processes in which time becomes tangible. Over the years, the artist has worked on the same surface—without a pre-established plan—allowing each brushstroke, each trace of paint, and each painterly gesture to accumulate within the increasingly dense skin of the work. What emerges is not the image of a moment, but an accumulation of presence—a painted diary.

The studio becomes a space of continuous notation: impulses are recorded, layered, revisited, and recontextualized. In this practice, painting is not merely a medium, but an archive—bearing traces, memories, and rhythms of work. Gradually, the paintings evolve into sculptural objects in which the past is materially inscribed.

Rather than offering linear narratives or figurative representations, Sander Reijgers' works present a concentrated form of storing time. What we see is not what happened, but the fact that something happened—and that it left a trace. In this sense, the works are not representations, but residues of a prolonged physical and mental presence.

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