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L’aquarium vert, 2020
Sandrine Rondard  

Painting : oil · 27 x 66 x 1.5 cm 10.6 x 26 x 0.6 inch · Ready to hang

€2,600 2 600 €
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Shipped from: France

Delivery to: Germany , € 59

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

27 x 66 x 1.5 cm 10.6 x 26 x 0.6 inch Height x Width x Depth

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Credentials

Vetted seller since 2017 • Top Seller

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Description

In this triptych, Sandrine Rondard depicts a child observing the moving world of an aquarium. Surrounded by dense aquatic plants and moving fish, the figure seems absorbed by this green and luminous environment, where forms oscillate between sharpness and dissolution.

Across the three panels, the composition unfolds like a succession of moments, suggesting the slow movement of the fish as well as that of the viewer's gaze. The overlapping greens and the softness of the light recreate the immersive atmosphere of water, transforming the aquarium into a mysterious, almost dreamlike space.

At times, subtle visual echoes appear between the child and the fish, establishing a silent dialogue between the human presence and the aquatic world. Through these shifting perspectives, Rondard captures a moment of attentive observation, where looking becomes an experience of wonder.

France  • 1966

Presentation

Sandrine Rondard is a French painter, graduated from the École nationale d'art de Cergy-Pontoise (DNSEP) and the École nationale des beaux-arts de Dijon (DNAP).

Her work explores landscapes and youthful figures through threshold atmospheres, often situated between day and night, where light becomes uncertain and points of reference begin to dissolve. Influenced by cinema and art history, her painting oscillates between figuration and abstraction.

Her canvases function as fragments of open narratives, reminiscent of contemporary tales or suspended cinematic scenes. The landscape becomes both a refuge and a disturbing territory, a space for projection of the uncanny, where painting itself remains the true subject, driven by an ongoing exploration of light, movement, and the transformation of the image.

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