L'orpheline - Les grands mystères du siècle, 2026
Nagsoul   Emerging artists

Painting : collage · 30 x 30 x 1 cm 11.8 x 11.8 x 0.4 inch · Ready to hang

€900 900 €

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Shipped from: France

Delivery to: France , € 29

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

30 x 30 x 1 cm 11.8 x 11.8 x 0.4 inch Height x Width x Depth

Artwork dimensions including frame

32 x 32 x 2 cm 12.6 x 12.6 x 0.8 inch

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Credentials

Vetted seller since 2015 • Top Seller

Discount

This seller offers discount when you purchase multiple artworks.

Description

This bold, modern artwork features a white sock, secured to the center of a bright yellow background by a piece of gray tape. The contrast between the sock's simplicity and the vibrant energy of the yellow background immediately captures the viewer's attention. The minimalist presentation is accentuated by the black frame, which elegantly frames the work, enhancing its visual impact. The use of tape recalls the aesthetics of contemporary art, evoking reflections on the everyday transformed into an artistic object. The juxtaposition of mundane elements and the carefully calculated staging creates an intriguing tension, prompting the viewer to reconsider the value and significance of ordinary objects. This work stands as a provocative statement about the beauty hidden within banality, demonstrating the power of conceptual art.

Pop Art

Socks

White

Yellow

Nagsoul, L'orpheline - Les grands mystères du siècle

Nagsoul

France  • 1960
101 followers

Presentation

Born in 1960 near the impressionists sceneries of the Seine banks, Nagsoul is a discreet artist who reveals himself as an avatar.

Nagsoul multiplied the artistic and technological experiments throughout the years: drawing, screenprinting, pottery, earthenware, mosaic, painting, photography, experimental video, virtual imaging and even video satellite transmission: the longest way between an image and a retina. For Nagsoul, any visual presentation is energy transfer.

He returns to the pictorial expression with the will to free himself from the traditional tools. No more brushes nor pencils; only the representation by an archaic, founding and experimental approach. Nagsoul does not hesitate. He plays with fire (literally) and water (ink) to rediscover perceived worlds which disappeared but remain in memory as if they were restored from a crashed hard disk.

It is also an act of baptismal purification by the water or by the fire that is presented to us, some sort of conversion in a way. By fading away from the visible, the artist gets us closer to the invisible. A pure act, a gesture cleansed of any ambition, a spiritual exercise which leads to become another, because it is by becoming someone else that we will see things differently.

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