La sacre du printemps, 2023
Caroline de Boissieu  

Painting : acrylic, ink · 131 x 243 cm 51.6 x 95.7 inch · Ready to hang

€11,000 €10,450 10 450 €
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Shipped from: France

Delivery to: Germany , € 360

Estimated delivery: Five to six weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, framed, ready to hang

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

131 x 243 cm 51.6 x 95.7 inch Height x Width x Depth

Artwork dimensions including frame

134 x 246 cm 52.8 x 96.9 inch

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Credentials

Vetted seller since 2026

Description

Three moments of the same impulse inspired by the great German choreographer, Pina Bausch.

Young women run, dance, search for one another—barely sketched silhouettes that the wind seems to carry away, emerging from a shifting background where water, vegetation, and light merge. The starting point is photographic, but the precision of the original image immediately dissolves into the evanescence of its contours, giving birth to a dreamlike and poetic world.

The work is akin to a palimpsest: photography, acrylic, and ink—all techniques are employed to give the project its full expression. The white dress, the red one, the ochre one, the turquoise one—each figure carries its season, its energy, its pivotal moment. Everything is movement, flight, metamorphosis, in that tension so dear to the artist between the lightness of the gesture and the depth that is only revealed later.

As in a dream, presence reflects absence. The viewer, subtly invited to project themselves into the motif, moves from one panel to another as in a great landscape painting, on the borders of the conscious and the unconscious — carried by this consecration of life which celebrates the eternal return of spring.

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The artwork is mounted on dibond, a material widely used in contemporary art which is very light relative to its rigidity (approximately 2mm).

Caroline de Boissieu, La sacre du printemps
France  • 1958

Presentation

A graduate of the École Nationale Supérieure des Arts Décoratifs, Caroline de Boissieu has devoted herself fully to her art since 2000, following an earlier career as a stylist. Her work begins, often, with a photograph — and from that matrix emerges something far more elusive: translucent materials such as ink, acrylic, tracing layers, plexiglas, and glass dissolve the contours until what remains is suggested, fleeting, yet haunting.

Hers is a practice of the palimpsest, a patient layering in which every technique is summoned to give the work the fullness of its breath. Light lives at its very heart. Through subtle play of shadow and reflection, each piece seems to breathe, to shift with the angle and intensity of one's gaze — never quite the same twice. Drawing on water, air, and distant shorelines without ever naming them, she opens a dreamlike space, at once transparent and opaque, still and in motion, where the viewer is gently invited to project their own memory, their own emotion.

It is a poetry that reveals itself slowly. Naturally drawn toward ever more limpid supports, she also gives her paintings an architectural presence, collaborating with architects, glassmakers, and designers in France and abroad — each work composed to live alongside those who dwell with it.

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