Bronze Sculpture for Sale
Painting : charcoal
100 x 60 x 3 cm 39.4 x 23.6 x 1.2 inch
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Type
Unique artwork
Signature
Hand-signed by artist
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Dimensions cm • inch
100 x 60 x 3 cm 39.4 x 23.6 x 1.2 inch Height x Width x Depth
Support
Framing
Not framed
Tags
Artwork sold in perfect condition
Artwork location: Portugal
In Coroação (2026), Ritchelly Oliveira presents a deeply evocative composition that encapsulates the central themes of his artistic practice: vulnerability, memory, affection, and emotional transcendence. Executed in charcoal and acrylic on canvas, the work portrays a serene female profile partially enveloped by a majestic constellation of white doves, creating a powerful image suspended between dream and reality.
The title, (), suggests neither power nor hierarchy, but an inner transformation achieved through emotional experience. The ascending birds form an ethereal crown around the figure, transforming the portrait into a visual allegory of resilience and personal evolution. Throughout Oliveira's body of work, birds do not symbolize freedom in a conventional sense. Instead, they embody emotional wounds, memories, and affections that continue to inhabit us, shaping our identities and relationships over time.
Rendered with remarkable technical precision, the monochromatic portrait emerges from darkness through subtle gradations of light, revealing the artist's mastery of charcoal and his ability to capture both physical presence and emotional depth. The closed eyes and tranquil expression evoke introspection, acceptance, and the silent process of healing. Rather than depicting a specific narrative, Oliveira invites viewers to project their own experiences of love, loss, longing, and renewal onto the composition.
The dynamic movement of the doves contrasts with the stillness of the figure, creating a delicate balance between inner reflection and emotional release. This interplay transforms the work into a poetic reflection on the invisible forces that accompany human existence—those memories, affections, and emotional traces that continue to shape who we become.
Through its refined symbolism and exceptional realism, Coroação stands as a powerful testament to Oliveira's ongoing exploration of the emotional landscapes that unite all human beings.
Ritchelly Oliveira, visual artist, began his work in 2012, shortly after enrolling in visual arts at the Federal University of Goiás (UFG), he found in the human figure a space to present his speech about what he understands most profoundly present in affective relationships. He talks about what he suspects to be love and, believing it to be a universal feeling. It proposes what is common to men, even knowing that this love brings something that is also individual and particular.
Believing that affective relationships are built from the individual and how their surroundings interfere with them, we try to rescue here the possibility of constructing discourses about love, especially black love. The importance of reflecting together on issues such as sexuality, emotional responsibility and colorism are necessary canons in this invitation to embrace the dangerous and exclusionary ideals of romantic love that circulate in our environments.
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