The Black Cat’s Energy Policy, 2026
Painting : acrylic · 100 x 85 x 1.8 cm 39.4 x 33.5 x 0.7 inch · Ready to hang
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Shipped from: Ukraine
Delivery to: Germany , € 80
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
100 x 85 x 1.8 cm 39.4 x 33.5 x 0.7 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2022 • Top Seller
Description
This contemporary figurative painting explores one of the defining emotions of modern life: the desire to feel prepared in an uncertain world.
A young woman sits thoughtfully beside a gas heater and propane cylinder while a black cat rests nearby. Through the window, an expansive sky filled with drifting clouds offers a sense of freedom and optimism. The juxtaposition between the tranquil atmosphere and the emergency heating equipment creates a compelling psychological dialogue between comfort and concern, present security and future uncertainty.
The work was inspired by a simple but powerful reality: despite the arrival of summer, preparations for a potentially difficult winter have already begun. This idea transforms an ordinary domestic interior into a universal reflection on resilience, anticipation, and quiet determination.
Executed with careful attention to light, texture, and atmosphere, the painting rewards prolonged viewing. Each element contributes to a layered narrative that resonates differently with every observer. The black cat functions almost as a silent witness, adding both humor and symbolic depth.
Collectors are often drawn to artworks that reflect the spirit of their time while remaining emotionally timeless. This painting achieves that balance, combining intimate storytelling with broader cultural relevance.
Dutch acrylic paints Amsterdam tm and Italian canvas by Unico were used. The finish is satin varnish, and the edges are painted in the background color. This painting is created on a pre-stretched canvas on a wooden frame. It is carefully packed in a cardboard box with layers of bubble wrap. The artwork is signed and accompanied by a certificate of authenticity.
Presentation
Nataliya Bagatskaya (b. 1967 in Horodyshche, Ukraine; now based in Kyiv) is a distinguished Ukrainian contemporary artist and member of the National Union of Artists of Ukraine. She graduated in 1993 with a degree in clothing design from Kyiv National University of Technology and Design. She works primarily in acrylic, applying traditional oil painting techniques to achieve extremely detailed, hyperrealistic, photorealistic, and contemporary realism compositions within a metamodern framework.
Her thematic range includes portraits, still lifes, landscapes, and narrative scenes infused with pop culture, political references, iconic symbols, and visual irony. Bagatskaya’s creative approach melds technical craftsmanship with conceptual storytelling, creating visually powerful yet emotionally resonant artworks.
Her exhibition record exceeds 30 group shows and four solo exhibitions in Ukraine and abroad, including “A Little of Silence” (Kiev, 2017), “Wish You Were Here” (Lesya Ukrainka Museum, 2018), “The Night” (Zavalnyi Art Center, 2018), and “Live in Avatar” (Art‑Caffe Klub, 2022). Internationally, she participated in the 2019 Venice Biennale, art fairs in Toronto, and gallery projects in Italy, Switzerland, and Barcelona.
In 2021, she received the Grand Prix at the ProCheese Awards in Kyiv and was featured in prominent Ukrainian art platforms and exhibitions such as “365 Days After,” “Women in Art,” and “Hryvnia Art.” Her works are held in notable public collections, including the Museum of Outstanding Figures of Ukrainian Culture in Kyiv and the Korsak Museum of Modern Art in Lutsk, with additional acquisitions by private collectors across Europe and Asia.
Bagatskaya combines her background in fashion design with an exacting painting process involving over 100 preparatory photographs and multiple draft versions, sometimes up to six iterations per work. She dedicates up to 11 hours daily in her studio, striving to elevate acrylic painting to photographic realism that delivers a powerful “wow” factor. Her art challenges the boundary between human perception and imagery, using acrylic as a visual language.
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