Enuma Elish 15, 2022
Painting : acrylic, canvas · 100 x 94 x 3 cm 39.4 x 37 x 1.2 inch · Ready to hang
€3,545
3 545 €
Shipping & delivery
Shipped from: Sweden
Delivery to: Spain , € 177
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
100 x 94 x 3 cm 39.4 x 37 x 1.2 inch Height x Width x Depth
Artwork dimensions including frame
102 x 96 x 4.5 cm 40.2 x 37.8 x 1.8 inch
Sold by
Art gallery
Professional art gallery • France
Credentials
Vetted seller since 2024
Description
Colard's artistry blends personal experiences, architectural background, and a fascination for ancient civilizations. Using computer sculpture and painting, he creates a complex fusion of minimalist and conceptual art.
Starting in 2020, this collection explores perspective as a central theme, juxtaposing abstract geometry with contemporary spiritualism. Inspired by his mother's passing at age ten, Colard's travels to places like Teotihuacan in Mexico, Mysore in India, and Borobudur in Java, have deeply influenced his work. He draws from diverse cultures, textiles, stones, and lights, expressing his dream of urban planning.
Influenced by Frank Stella's sculptures, Sol LeWitt's distorted cubes, and Pierre Soulages' outre-noir concept, Colard creates monumental structures above cities, representing clouds, machines, and spiritual entities. Referencing the Babylonian myth of creation, his work blends primitive urban shapes with a timeless quality.
Presentation
Alex Colard was born next to Basel and is now residing in Stockholm. Since 2017, he fuses passion with purpose. Equipped with degrees from Parsons, New York, and Ecole Bellecour, Lyon, his journey is marked by 30+ exhibitions, charity initiatives, and the creation of the groundbreaking Charity Art Expo.
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