Abstracta n129, 2002
Painting : acrylic · 65.5 x 51.5 x 3.5 cm 25.8 x 20.3 x 1.4 inch
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Shipped from: France
Delivery to: Germany , € 69
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
65.5 x 51.5 x 3.5 cm 25.8 x 20.3 x 1.4 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
Created in 2002, the paintings of Laurence Granger's Abstracta series explore the expressive potential of gesture and color. Built by a succession of layers of paint and energetic brushstrokes, each composition finds a balance between density and breath, allowing movement to structure the pictorial space. Laurence Granger develops a painting that retains the memory of her own process of elaboration, where every mark remains visible as testimony to a gesture. The resulting works combine physical intensity and compositional rigor, transforming the canvas into a space of continuous visual energy.
The paper is mounted on wood.
Presentation
Laurence Granger, born in 1951 in Neuilly-sur-Seine, lives and works in Pontpoint (Oise). Since the early 1980s, she has been exploring an inhabited abstraction, where pictorial gesture, color, and light become the vectors of a free, vibrant, and profoundly sensitive language. Her work, nourished by abstract expressionism and lyrical abstraction, unfolds without preparatory drawing, in an immediate relationship with matter. Far from any formalism, her oeuvre oscillates between control and release, raw energy and subtle balance. It is within this tension, between duality and unity, movement and silence, construction and spontaneity, that the artist asserts her freedom. A freedom conquered through format, series, and the instant of making, inviting the viewer to enter a true “state of sensation,” to feel rather than to understand.
Over the decades, her work has been recognized and exhibited in institutions and art centers, mainly at the regional level, with public support such as that of the FRAC and the DRAC Picardie.
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