Le coeur dans l’oeil, 2025
Painting : oil, acrylic, marker · 116 x 81 x 2 cm 45.7 x 31.9 x 0.8 inch · Ready to hang
$2,302
2 302 $US
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 210
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
116 x 81 x 2 cm 45.7 x 31.9 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Description
This portrait explores the tension between order and disorder. The face, constructed like a geometric assembly, imposes a raw presence. Two gazes oppose each other. One is circular and fixed, the other more human, almost melancholic. This asymmetry creates an immediate visual dialogue.
The artist uses oil sticks, acrylic, and marker to saturate the space. The material is applied with instinct, sometimes with the finger, allowing a wild gesture to show through. The background, composed of drips and scratches, accentuates the instinctive aspect of the composition.
The frozen smile, with white and regular teeth, contrasts with the chromatic chaos surrounding it. This character becomes a mirror of inner contradictions. The deep black of the bust anchors the figure while spontaneous lines punctuate the bottom of the canvas. The whole is inscribed in the aesthetic of raw art, where spontaneity prevails over academic rigor. This 2025 creation stands out for its bold use of primary colors on a dark and tormented background.
Presentation
I started my career as a salesperson before becoming a decorator, where I began designing lamps... my meeting with a graffiti artist in 2017 marked a decisive turning point in my career.
I express myself through painting as others scream or cry.
I work mainly with oil sticks – I like this thick, raw, almost wild material. I use my finger to feel it, to stay in contact. Getting my hands dirty is part of the process: the more I'm immersed in the material, the more alive I feel.
My journey isn't linear. There wasn't a clear turning point, but rather a constant ebullition. My style took shape little by little, until a small, recurring face—my gaze, my double, my silent witness—took over. This figure, sometimes a sad clown, sometimes a monster, has become my graphic signature.
My work is very instinctive, but never gratuitous. Every line, every contrast between a "human" eye and a "bulging" one, between a tense or smiling mouth, speaks of this inner tension: between the wise and the trashy, between my upbringing and the anarchist fire.
If my paintings could speak, they would surely say:
“Look deep into me… and now, what do you really feel?" My painting is a mirror. And sometimes, a therapy.
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