LES TEMOINS, 2026
Painting : oil, acrylic, marker · 80 x 60 x 2 cm 31.5 x 23.6 x 0.8 inch · Ready to hang
£1,106
1 106 £GB
Shipping & delivery
Shipped from: France
Delivery to: United Kingdom , £ 165
Estimated delivery: Less than one week
Free returns within 14 days, full refund
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Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
80 x 60 x 2 cm 31.5 x 23.6 x 0.8 inch Height x Width x Depth
Artwork dimensions including frame
82 x 62 x 3 cm 32.3 x 24.4 x 1.2 inch
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Description
The image unfolds like a visual scream. Two faces confront each other on a dark background. The line is raw. The material accumulates in thick layers.
The artist uses oil sticks and markers to sculpt their figures. The colors oppose each other forcefully. A cold blue is next to a burnt orange and a deep pink.
The gaze is off-center. The eyes, disproportionate, scrutinize the viewer. They express an inner tension. The open mouths reveal visible teeth. It is a dialogue between the sage and the anarchist.
The instinctive technique gives way to impulse. The gesture is direct. The rendering recalls the aesthetic of raw art. Each line emphasizes a conscious contrast.
This 2026 painting mixes oil and acrylic. It explores the human figure as a psychological mirror. The detail of a white bandage on the forehead adds a fragile dimension to these monumental figures.
Presentation
I started my career as a salesperson before becoming a decorator, where I began designing lamps... my meeting with a graffiti artist in 2017 marked a decisive turning point in my career.
I express myself through painting as others scream or cry.
I work mainly with oil sticks – I like this thick, raw, almost wild material. I use my finger to feel it, to stay in contact. Getting my hands dirty is part of the process: the more I'm immersed in the material, the more alive I feel.
My journey isn't linear. There wasn't a clear turning point, but rather a constant ebullition. My style took shape little by little, until a small, recurring face—my gaze, my double, my silent witness—took over. This figure, sometimes a sad clown, sometimes a monster, has become my graphic signature.
My work is very instinctive, but never gratuitous. Every line, every contrast between a "human" eye and a "bulging" one, between a tense or smiling mouth, speaks of this inner tension: between the wise and the trashy, between my upbringing and the anarchist fire.
If my paintings could speak, they would surely say:
“Look deep into me… and now, what do you really feel?" My painting is a mirror. And sometimes, a therapy.
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