Le parlement des yeux, 2026
Painting : oil, acrylic, marker, collage · 80 x 60 x 2 cm 31.5 x 23.6 x 0.8 inch · Ready to hang
$1,696
1 696 $US
Delivered in time for Christmas
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 209
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
80 x 60 x 2 cm 31.5 x 23.6 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Description
The instinct guides every aspect of this composition. The gaze wanders between several superimposed faces. The features intertwine in an organized chaos. The artist uses oil sticks to create a thick material. The rendering is raw. Almost wild.
The marker work emphasizes sharp contours. The colors oppose each other frankly. A deep blue is next to an earthy orange. Green saturates the bottom of the canvas. The eyes, disproportionate, fix the viewer. They oscillate between wisdom and derision.
This painting explores inner tension. It acts as a mirror of emotions. The open mouths suggest a silent scream. The influence of graffiti is felt in the freedom of the gesture. The human figure fragments to better reveal doubles.
The manual execution lets a direct contact with the material show through. The style is in crude art. Each superposition adds a layer of meaning. The canvas ends with nervous lines that stripe the blue background.
Presentation
I started my career as a salesperson before becoming a decorator, where I began designing lamps... my meeting with a graffiti artist in 2017 marked a decisive turning point in my career.
I express myself through painting as others scream or cry.
I work mainly with oil sticks – I like this thick, raw, almost wild material. I use my finger to feel it, to stay in contact. Getting my hands dirty is part of the process: the more I'm immersed in the material, the more alive I feel.
My journey isn't linear. There wasn't a clear turning point, but rather a constant ebullition. My style took shape little by little, until a small, recurring face—my gaze, my double, my silent witness—took over. This figure, sometimes a sad clown, sometimes a monster, has become my graphic signature.
My work is very instinctive, but never gratuitous. Every line, every contrast between a "human" eye and a "bulging" one, between a tense or smiling mouth, speaks of this inner tension: between the wise and the trashy, between my upbringing and the anarchist fire.
If my paintings could speak, they would surely say:
“Look deep into me… and now, what do you really feel?" My painting is a mirror. And sometimes, a therapy.
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