Deux, 2023
Hanna Sidorowicz  

Painting : pigment ink · 50 x 50 x 3 cm 19.7 x 19.7 x 1.2 inch

$1,853 1 853 $US

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Shipped from: France

Delivery to: United States , $ 153

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

50 x 50 x 3 cm 19.7 x 19.7 x 1.2 inch Height x Width x Depth

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Credentials

Vetted seller since 2026

Description

The line fades to make way for the essential. Two silhouettes are drawn in the center of the composition. They seem to emerge from a light background, almost immaterial. The work relies on a fragile balance between drawing and abstraction.

The artist superimposes the textures with precision. The deep black of the figures contrasts with the paleness of the support. This approach recalls ancient calligraphy and the sketches of the great masters.

The space suggests a suspended atmosphere. Time seems to stop in this silent dialogue. The material stretches, flows, and fades, creating an effect of transparency.

This piece explores the duality between the concrete and the ethereal. The apparent simplicity hides a rigorous creative process. The final rendering evokes a visual thought where the line becomes a symbol.

The work ends with a discreet signature and the date 2003, anchoring this poetic vision in time.

Portrait

Humans

Silhouette

Black

Hanna Sidorowicz, Deux
France  • 1960
57 followers

Presentation

Hanna Sidorowicz was born in 1960 in Poland. She is soon supported by influential actors in the art world such as Pierre Cabanne and Cecile Debray. Many exhibits in art fairs (FIAC 1990) and artgalleries (France, USA, UK, Denmark...) followed over the next 20 years.

Forging links between past and present, word and image, abstract and real, Hanna Sidorowicz's work is defined by opposition and synthesis. She pays homage to the Old Masters (Leonardo Da Vinci or Rembrandt) and by the great abstract painters of American origin, but she also pays homage to the new, drawing inspiration from the spontaneity and dynamism of the Abstract Impressionists. Her paintings exude a purity and simplicity which conceal a complex creative process, a layered evolution, born of superimposing different textures, mixing calligraphy and drawing, creating a mystery and symbolism which evoke references to the past and to scripture.

Thus Sidorwicz questions the meaning of time, the importance of the past in the creation of the new and builds her own world somewhere in the space between. The compositions themselves grow out of this duality: ethereal, sometimes melancholy, figures are juxtaposed with a solid, architectural backdrop, uniting the divine and the earthly, giving presence to the immaterial, creating a world that is as subtle as it is striking.


This Sidorowiczian universe, peopled with angels, the faces of wise old men and colored sketches inspired by the canvases of the great masters of the 20th century, produces a cultivated and refined work, a sort of visual thought incarnated in colored matter and line.

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