Champs de blé à Pleurtuit - Série Paysages et matière, 2024
Painting : oil · 54 x 73 x 2 cm 21.3 x 28.7 x 0.8 inch · Ready to hang
€1,125
1 125 €
Delivered in time for Christmas
Shipping & delivery
Shipped from: France
Delivery to: Spain , € 90
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the gallery
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
54 x 73 x 2 cm 21.3 x 28.7 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2018 • Top Seller
Description
The artist explores here a dreamlike landscape where nature transforms. The composition is organized around a massive tree whose dark trunk anchors the scene.
The oil technique is worked with a knife. The paint is applied in successive, thick layers. This relief sculpts the material and creates shifting shadows according to the light.
Green and blue intertwine to define the depth. Deep black emphasizes the contrasts and structures the space. Each cut of the blade glides across the canvas to materialize a mental projection.
The textural rendering brings a tactile dimension to the whole. This creation favors sensation and matter.
Presentation
As a teenager, I was as fascinated by the pictorial rendering of materials as the transparency of a veil or the lustrous aspect of velvet as by the Impressionists' ability to evoke a sense of tranquility in me.
My learning consisted of repeating infinitely, with all the techniques at my disposal, characters, animals, and landscapes using comic books as the essential source. Then studies and a profession led me to put away the brushes. About ten years ago, I started to try oil painting on canvas. Applied with a palette knife, by impasto or smoothing, in successive layers, this technique allows me to create volumes, sculpt the paint, and obtain relief effects as well as plays of shadow depending on the incidence of light. My favorite colors are green and blue enhanced by a deep black. Painting has imperceptibly taken a growing place in my life and I am constantly in the mental construction of the coming painting. It matures progressively, develops, improves. When it is ready to burst forth, I am no longer but one with the canvas and my painting knife, gliding over the canvas, which is no longer but the instrument for the materialization of this mental projection.
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