Les Oliviers - Série Paysages et matière, Circa 2023
Painting : oil · 40 x 50 x 1.5 cm 15.7 x 19.7 x 0.6 inch · Ready to hang
Shipping & delivery
Shipped from: France
Delivery to: Switzerland , CHF 43
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
40 x 50 x 1.5 cm 15.7 x 19.7 x 0.6 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2018 • Top Seller
Description
This oil composition explores the density of a wild nature. The gaze plunges into a landscape where matter becomes sculptural. The artist works here through successive impasto. The palette knife shapes the relief and structures the space.
Green dominates the scene. The technique favors volume. Each stroke of the blade brings a physical thickness to the canvas. The rendering evokes a suspended atmosphere, between dream and reality.
The final rendering focuses on the tactile force of oil paint.
Presentation
As a teenager, I was as fascinated by the pictorial rendering of materials as the transparency of a veil or the lustrous aspect of velvet as by the Impressionists' ability to evoke a sense of tranquility in me.
My learning consisted of repeating infinitely, with all the techniques at my disposal, characters, animals, and landscapes using comic books as the essential source. Then studies and a profession led me to put away the brushes. About ten years ago, I started to try oil painting on canvas. Applied with a palette knife, by impasto or smoothing, in successive layers, this technique allows me to create volumes, sculpt the paint, and obtain relief effects as well as plays of shadow depending on the incidence of light. My favorite colors are green and blue enhanced by a deep black. Painting has imperceptibly taken a growing place in my life and I am constantly in the mental construction of the coming painting. It matures progressively, develops, improves. When it is ready to burst forth, I am no longer but one with the canvas and my painting knife, gliding over the canvas, which is no longer but the instrument for the materialization of this mental projection.
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