Les Oliviers - Série Paysages et matière, Circa 2023
Hervé Ganry  

Painting : oil · 40 x 50 x 1.5 cm 15.7 x 19.7 x 0.6 inch · Ready to hang

€500 500 €
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Shipped from: France

Delivery to: Italy , € 45

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

40 x 50 x 1.5 cm 15.7 x 19.7 x 0.6 inch Height x Width x Depth

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Description

This oil composition explores the density of a wild nature. The gaze plunges into a landscape where matter becomes sculptural. The artist works here through successive impasto. The palette knife shapes the relief and structures the space.
Green dominates the scene. The technique favors volume. Each stroke of the blade brings a physical thickness to the canvas. The rendering evokes a suspended atmosphere, between dream and reality. 

The final rendering focuses on the tactile force of oil paint.

Landscape

Material

Trees

Green

Hervé Ganry, Les Oliviers - Série Paysages et matière

Hervé Ganry

France

Presentation

As a teenager, I was as fascinated by the pictorial rendering of materials as the transparency of a veil or the lustrous aspect of velvet as by the Impressionists' ability to evoke a sense of tranquility in me.

My learning consisted of repeating infinitely, with all the techniques at my disposal, characters, animals, and landscapes using comic books as the essential source. Then studies and a profession led me to put away the brushes. About ten years ago, I started to try oil painting on canvas. Applied with a palette knife, by impasto or smoothing, in successive layers, this technique allows me to create volumes, sculpt the paint, and obtain relief effects as well as plays of shadow depending on the incidence of light. My favorite colors are green and blue enhanced by a deep black. Painting has imperceptibly taken a growing place in my life and I am constantly in the mental construction of the coming painting. It matures progressively, develops, improves. When it is ready to burst forth, I am no longer but one with the canvas and my painting knife, gliding over the canvas, which is no longer but the instrument for the materialization of this mental projection.

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