Fragments of Memory. Triptych | Gold Symbolic Mixed-Media Artwork, 2026
Lada Bozhina  

Painting : acrylic, Organic materials · 150 x 50 x 2 cm 59.1 x 19.7 x 0.8 inch · Ready to hang

€4,184 4 184 €

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Shipped from: Montenegro

Delivery to: France , € 144

Estimated delivery: Two to three weeks

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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

150 x 50 x 2 cm 59.1 x 19.7 x 0.8 inch Height x Width x Depth

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Credentials

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Description

Black symbols move across luminous gold and white panels. This original triptych combines canvas, acrylic, metallic foil, and wool in a vertically structured composition inspired by ancient scripts and the traces left by time. Three connected sections contain flowing black lines, repeated horizontal marks, abstract glyph-like shapes, drips, and irregular blocks that resemble pieces of an unknown language.

The artist transforms fragmented forms into a personal visual vocabulary. Some elements appear carefully ordered, while others dissolve or interrupt one another, suggesting the way memories are stored, altered, and partially forgotten. Metallic gold foil reflects changing light, and the wool adds tactile relief, giving the artwork both elegance and raw physicality.

Its narrow vertical format makes it ideal for an entryway, hallway, staircase, office, or contemporary living room. The artwork also makes an original gift for a writer, designer, historian, architect, or collector who appreciates symbolism, layered surfaces, and modern abstract art with conceptual depth.

Abstract

Abstract expressionism

Lines

Black

golden

Lada Bozhina

Montenegro  • 1981

Presentation

Lada Bozhina is a contemporary abstract artist based in Budva, Montenegro, whose work explores memory, migration, displacement, and the emotional reconstruction of home. Born into a family of artists — with her mother, father, and grandfather all working in the arts — she developed an early connection to visual culture and completed an eight-year education at a children’s art school before later studying interior design.

For more than a decade, Lada has worked professionally in interior design and decoration, an experience that strongly influences her artistic language. Her artworks combine layered abstraction, tactile surfaces, and conceptual use of materials, creating works that function both as emotional landscapes and spatial objects. Texture plays a central role in her practice, transforming fragments, found materials, and traces of lived experience into multidimensional compositions.

At the core of Lada’s work is the idea of the “suitcase of memory” — the emotional archive people carry through migration and personal transformation. Through abstraction and material layering, she preserves fragments of places, identities, and memories that continue to exist within new environments. Her paintings become visual spaces where loss, adaptation, warmth, and belonging coexist.

Her visual language merges contemporary conceptual abstraction with architectural sensitivity and postmodern landscape references. The works often balance restraint and emotional intensity, combining muted tones, physical textures, and fragmented surfaces that evoke erosion, reconstruction, and continuity.

Lada has participated in international and group exhibitions, presented solo projects in galleries and independent art spaces, and collaborated with interior designers. She is currently presenting her second solo exhibition in Podgorica, Montenegro, while developing a new body of work focused on migration, memory, and the reuse of materials for upcoming international open calls.

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