From Blue to Silence, 2026
Painting : oil · 80 x 80 x 2 cm 31.5 x 31.5 x 0.8 inch
$3,953
3 953 $US
Shipping & delivery
Shipped from: Germany
Delivery to: United States , $ 138
Estimated delivery: Two to three weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Unstretched (shipped rolled)
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
80 x 80 x 2 cm 31.5 x 31.5 x 0.8 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Discount
This seller offers discount when you purchase multiple artworks.
Description
There is a moment in the evening just before the world stops speaking.
The light retreats — not dramatically, not suddenly. It dissolves like a thought that can no longer be held. Pink becomes violet. Violet becomes blue. And the blue — this deep, velvet blue — becomes silence.
What we see in this painting is not nature itself. It is nature's reflection in water — a mirror that preserves more than the original ever could. The reeds are gone. What remains is their shadow. Their memory. Their last gesture before the dark arrives.
From Blue to Silence is a painting about transition — not between day and night, but between feeling and stillness. Between what can still be named, and what lies beyond words.
Part of the series Somewhere Before — landscapes without address, that everyone feels they have seen before.
Presentation
Evgenija Koch was born in St. Petersburg, Russia, and now lives and works in Hannover, Germany. She trained in drawing and painting at the Russian Academy of Arts, St. Petersburg, building on an earlier academic foundation in mechanical engineering — a background that continues to inform the precision and structure beneath her intuitive compositions.
Since 2000, she has worked in oil on canvas, developing a classical technique built on visible, deliberate brushstrokes. She has maintained an active professional studio practice since 2013. Her landscapes are not depictions of specific places but explorations of collective memory, disorientation, and belonging — shaped by the tension between her Russian origins and her life in Germany, and by the wider political present.
Koch's work is held in several corporate collections, including Toast Hannover, Endress+Hauser, Ingenico, and BVR, and has been shown internationally, including at Norton Rose Fulbright in Luxembourg (2026), Art Basel Miami, and SwissArtExpo Zürich.
Her artistic approach is best summarized in her own words: “I don't paint places. I paint the feeling of having been there before."
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