Boats 18.2, 2026
Print : Digital color print · 100 x 100 x 2 cm 39.4 x 39.4 x 0.8 inch
CHF 529
529 CHF
Shipping & delivery
Shipped from: Germany
Delivery to: Switzerland , CHF 48
Estimated delivery: Four to five weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Print : numbered and limited to 5 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Unstretched (shipped rolled)
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
100 x 100 x 2 cm 39.4 x 39.4 x 0.8 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Discount
This seller offers discount when you purchase multiple artworks.
Description
Limited Edition Pigment Print 5 copies WORLDWIDE
Printed Border: 2 cm on each side.
Pigment print on canvas, natural white. Each print is individually signed and numbered and comes with a Certificate of Authenticity.
Sold unframed and shipped rolled in a protective tube, insured.
The mirrored edge allows stretching onto a frame (not included).
On request, a stretcher frame kit can be added for an extra €30.
Other sizes are available on request.
Artwork shows a mountain lake you feel you know without being able to name it. Pink cliffs, orange larch slopes and three rowing boats at a wooden jetty, one marked 18, are repeated in the water in shifting colour. What is present stays sharp. What has become memory dissolves into colour.
The image shows enough to read as landscape, but never enough to belong to a place. It is part of the series Present Tense, saturated, high-contrast landscapes about remembered places.
Works in a living room, office, studio or lobby.
Presentation
Evgenija Koch was born in St. Petersburg, Russia, and now lives and works in Hannover, Germany. She trained in drawing and painting at the Russian Academy of Arts, St. Petersburg, building on an earlier academic foundation in mechanical engineering — a background that continues to inform the precision and structure beneath her intuitive compositions.
Since 2000, she has worked in oil on canvas, developing a classical technique built on visible, deliberate brushstrokes. She has maintained an active professional studio practice since 2013. Her landscapes are not depictions of specific places but explorations of collective memory, disorientation, and belonging — shaped by the tension between her Russian origins and her life in Germany, and by the wider political present.
Koch's work is held in several corporate collections, including Toast Hannover, Endress+Hauser, Ingenico, and BVR, and has been shown internationally, including at Norton Rose Fulbright in Luxembourg (2026), Art Basel Miami, and SwissArtExpo Zürich.
Her artistic approach is best summarized in her own words: “I don't paint places. I paint the feeling of having been there before."
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