Bronze Sculpture for Sale
Sète 27, 2025
Painting : paper, collage · 24 x 33 x 3 cm 9.4 x 13 x 1.2 inch · Ready to hang
€780
€702
702 €
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 64
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the artist
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
24 x 33 x 3 cm 9.4 x 13 x 1.2 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2021 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
This work explores the beauty of urban surfaces and the passage of time. The gaze moves through an assembly of superimposed layers. Fragments of torn paper, from flyers and posters collected in the street, reveal strata of colors and textures. Blue dominates the composition. It alternates between deep shades and lighter tones, evoking posters erased by the weather.
The material is expressed through marked contrasts. Whitish and neutral areas rhythm the space. They create a play of balance with accidental geometric shapes. Each tear becomes an involuntary brushstroke. The composition plays on repetition and fragmentation. The different fragments of flyers retain traces of their past life in the urban space.
The approach favors a balance between composition and the aesthetics of wear. The visual rendering captures the essence of a city wall through materials that come directly from it. The image is built on a superposition of planes, where the flyers collected in the street become the material of the composition itself. The detail of the paper fibers, the tears, and the traces of wear bring a tactile dimension. The whole forms an abstract landscape where the traces of time, the qualities of the materials, and the artist's choices participate in the final composition.
Presentation
Christian Gastaldi is a painter who does not use paint. His pictorial material is the poverty of the common elements to which oblivion and neglect have conferred a humanity.
Like an archaeologist of the present, he collects damaged posters on the walls of the cities he travels through, from Europe to South America. These urban fragments, imbued with the collective memory of a territory, of an era, nourish his plastic vocabulary. Put together, they draw the sensitive cartography of a place, a singular topography.
Back in the studio, he works through gestures devoid of artifice. Working standing up, his brushstrokes are raw tears, handmade, occasionally revealing the stratification of the accumulated papers. He does not paint and yet his works are composed with the same rigor as a painter, particularly attentive to the spatial and chromatic organization of the elements.
But when moving from the street to the canvas, the poster changes its nature. Decontextualized, what remains of its message? If not perhaps the memory of the place, of what has been. It then becomes both trace and index. The perishable material is elevated to the rank of a sacred object.
Christian Gastaldi's abstract canvases evoke sometimes a painting, sometimes a plaster or a textile. From the material traces of a city, they bring forth a poetic abstraction that preserves the memory and identity of the territory. They make us shift from the immediacy of the event to the experience of duration, transforming a sensitive cartography of urban territories into pictorial language.
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Reviews from our customers
All our reviews are extracted from Verified Reviews
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