Olive Tree (series), 2025
Bashar Alhroub  

Painting : acrylic · 72 x 60 cm 28.3 x 23.6 inch

€4,032 4 032 €

One of the last works available by this artist

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Shipped from: Palestine

Delivery to: France , € 157

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Unstretched (shipped rolled)

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cminch )

72 x 60 cm 28.3 x 23.6 inch Height x Width x Depth

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Credentials

Vetted seller since 2026

Description

This painting captures a solitary vegetal silhouette. A tree stands in the center of a graphic composition. The contrast is marked between the deep black of the trunk and the clarity of the background.
The upper part of the painting is illuminated by a solar yellow. This color saturates the space and evokes an intense light. Vertical drips rhythmically mark the surface. They create an effect of rain or a translucent curtain.
The base of the work shifts towards gray and dark tones. This area evokes a ground saturated with water or a shimmering reflection. The visual balance rests on this chromatic opposition.
The technique emphasizes a tension between stability and dissolution. The tree seems anchored in a changing landscape. The work on transparency brings a melancholic depth to the scene.
The rendering recalls photography while retaining the materiality of the painting. This piece dated 2025 explores the link between nature and territory. The whole ends with a play of vertical lines that fade towards the bottom.

Floral

Landscape

Trees

Black

Yellow

Bashar Alhroub, Olive Tree (series)
Palestine  • 1978

Presentation

Born in Jerusalem in 1978, currently living and working in Ramallah. Bashar Alhroub graduated with a BA in Fine Arts from Al-Najah National University, Palestine in 2001. He was awarded the Ford Foundation fellowship to pursue an MFA, which he completed in 2010 from the Winchester School of Art, the University of Southampton in the UK. In 2012, Alhroub was awarded the first grand prize at the 14th Art Asian Biennial, Bangladesh.

Alhroub works with a variety of media including photography, video installation, drawing, and paintings. His work directly deals with the polemics of a place, questioning its role in humanity and its influence on creativity. His work is deeply influenced by the socio-political sentiments that assert his identity as well as his desire to belong to a social and cultural community; rooted in a particular place, Alhroub constantly longs for a feeling of attachment, a sense of significant ownership of that place.

More recently, his work began to engage with the search into the self. Using the body as a signifier, his work shows the threatened self-identity through the process of scrutiny and experimentation. The work deals with personal vulnerability and experience of existential anxiety strongly associated with issues such as religion, nationalism, conflict, and identity construction. Moreover, it looks for meaning, not in the individual sign, but in the context of exile and fragmentation.

Bashar Alhroub's work is also included in a number of international collections and museums including the Imperial War Museum, London; Barjeel Art Foundation, Sharjah; China Printmaking Museum- China; Bengal National Gallery, Bangladesh; Birzeit University Museum collection, Palestine; Omi Art Centre, New York; and Michael Abbate collection, New York; Bank of Palestine collection, Palestine; Contemporary Art Platform Kuwait- Kuwait and in many other renowned private collections worldwide, such as Dr. Ramzi Dalloul's collection and George Al Aama.

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