Caught in the breeze, 2024
Painting : Organic materials · 28 x 20 x 0.5 cm 11 x 7.9 x 0.2 inch
€725
725 €
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Shipped from: United Kingdom
Delivery to: France , € 55
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
28 x 20 x 0.5 cm 11 x 7.9 x 0.2 inch Height x Width x Depth
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Art gallery
Credentials
Vetted seller since 2026
Description
Rajeev Kumar's series transforms musical modes, or ragas, into evocative visual narratives, traditionally associated with particular times of day and seasonal moods. Radiant 'nayikas' and charming 'nayakas' inhabit sumptuous settings of ornate mansions, marble terraces and grand pavilions, surrounded by carpets, silken cushions and other symbols of refinement.
Slender, graceful figures are adorned in translucent gold-woven fabrics and richly patterned textiles, enhanced by intricate jewellery and meticulous ornamentation. Through the interplay of painting and accompanying verse, Kumar captures the sensuality, romance and emotional resonance of the human form, translating the language of music into a richly atmospheric visual experience.
Within Rajeev Kumar's series, personifies a melody of sadness through the figure of a lovesick 'nayika' confiding in her companion. A sudden gust of wind sweeps through the scene, stirring the trees, curtains and garments and sending dust across the landscape—an expressive reflection of the heroine's inner turmoil. The interplay of movement, emotion and meticulous detail transforms the melancholic character of into a richly atmospheric visual narrative.
Presentation
Rajeev Kumar (b. 1982) is a highly skilled practitioner of miniature art typical of the Kangra region of the lower Himalayan ranges of Northern India.
Though once thriving, traditional Kangra miniature painting is now hard to find. Efforts by organisations like CORD (Chinmaya Organisation for Rural Development) keep this tradition alive, inviting a new generation to explore its beauty and the spiritual stories it tells.
Rajeev Kumar has honed his skill for over 20 years and he is assisted in his efforts with research and guidance from CORD.
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