Churning the milk, 2024
Rajeev Kumar  

Painting : Organic materials · 28 x 20 x 0.5 cm 11 x 7.9 x 0.2 inch

€725 725 €
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Shipped from: United Kingdom

Delivery to: Italy , € 55

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

28 x 20 x 0.5 cm 11 x 7.9 x 0.2 inch Height x Width x Depth

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Credentials

Vetted seller since 2026

Description

Rajeev Kumar's  series transforms musical modes, or ragas, into evocative visual narratives, traditionally associated with particular times of day and seasonal moods. Radiant 'nayikas' and charming 'nayakas' inhabit sumptuous settings of ornate mansions, marble terraces and grand pavilions, surrounded by carpets, silken cushions and other symbols of refinement.

Slender, graceful figures are adorned in translucent gold-woven fabrics and richly patterned textiles, enhanced by intricate jewellery and meticulous ornamentation. Through the interplay of painting and accompanying verse, Kumar captures the sensuality, romance and emotional resonance of the human form, translating the language of music into a richly atmospheric visual experience.

This painting personifies the composition Sarang, which is the melody of noon time during the hot day of the summer season in India. We can see the glare of the harsh midday sun on the horizon. In the foreground a well-dressed lady churns yoghurt to offer some buttermilk to her lover, who stands waiting. The open doorway to an inside room makes one wonder if other delights will soon be enjoyed!

Eastern Art

figurative

Interior scene

orange

Pink

Rajeev Kumar, Churning the milk

Rajeev Kumar

India  • 1982

Presentation

Rajeev Kumar (b. 1982) is a highly skilled practitioner of miniature art typical of the Kangra region of the lower Himalayan ranges of Northern India. 

Though once thriving, traditional Kangra miniature painting is now hard to find. Efforts by organisations like CORD (Chinmaya Organisation for Rural Development) keep this tradition alive, inviting a new generation to explore its beauty and the spiritual stories it tells.

Rajeev Kumar has honed his skill for over 20 years and he is assisted in his efforts with research and guidance from CORD. 

 

 

 

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