Matière Brute, 2026
Painting : oil · 65 x 50 x 0.1 cm 25.6 x 19.7 x 0 inch
Shipping & delivery
Shipped from: France
Delivery to: Germany , € 100
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Technique & Support
oil on Arches paper
Dimensions ( cm • inch )
65 x 50 x 0.1 cm 25.6 x 19.7 x 0 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2021
Discount
This seller offers discount when you purchase multiple artworks.
Description
In Raw Material II, a man tied according to shibari codes detaches himself from a deliberately raw, almost mineral background. The ropes trace dark lines that cut and restructure the body, progressively transforming the human figure into an assembly of shapes, tensions, and volumes.
The body becomes raw material here: a living material that is constrained, sized, and sculpted to bring forth a new form, something that goes beyond the simple representation of the model.
The palette of browns, grays, blacks, and off-whites reinforces this sensation of matter. Washes, transparencies, and brushstrokes remain visible, like as many strata that extend the work performed on the body itself.
Between constraint and abandonment, flesh and construction, Raw Material explores the human body as a material to be transformed, capable of becoming something greater than itself.
Presentation
Self-taught, Laurent Anastay-Ponsolle has always maintained an emotional relationship with his artistic practice: the feeling is his favorite exploration territory. From the very beginning, he goes where his instinct guides him. He prefers to photograph his model from different angles in order to choose what interests him in a pose, rather than retranscribing the primary truth.
An obsession, the hands. Possessive, fragile or powerful, sensual or anonymous, they emerge as spectres to capture the attention and to give the essential emotional charge of the composition.
Through his erratic line, Laurent Anastay-Ponsolle tracks down emotions to expose them. He explores the sensitive, the ephemeral, the fragile. By accumulation or deletion, the eye is lost and the individuals disappear: infinite embraces, perpetual, by self forgetfulness or other forgetfulness, the features and the personalities fade away.
To express this research, an obvious medium, drawing. Then painting. However even through this one, the drawing emerges faces like an indelible mark. Saturation, breathing, its repentances are apparent: it scratches erases, erases and underlines its subject. Forbidding himself the use of an eraser, his technique is in the image of his subject: embodied, raw and spontaneous.
Reviews from our customers
All our reviews are extracted from Verified Reviews
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