Matière Brute, 2026
Laurent Anastay-Ponsolle  

Painting : oil · 65 x 50 x 0.1 cm 25.6 x 19.7 x 0 inch

$1,109 1 109 $US

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Shipped from: France

Delivery to: United States , $ 187

Estimated delivery: Less than one week

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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

65 x 50 x 0.1 cm 25.6 x 19.7 x 0 inch Height x Width x Depth

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Vetted seller since 2021

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Description

In Raw Material II, a man tied according to shibari codes detaches himself from a deliberately raw, almost mineral background. The ropes trace dark lines that cut and restructure the body, progressively transforming the human figure into an assembly of shapes, tensions, and volumes.

The body becomes raw material here: a living material that is constrained, sized, and sculpted to bring forth a new form, something that goes beyond the simple representation of the model.

The palette of browns, grays, blacks, and off-whites reinforces this sensation of matter. Washes, transparencies, and brushstrokes remain visible, like as many strata that extend the work performed on the body itself.

Between constraint and abandonment, flesh and construction, Raw Material explores the human body as a material to be transformed, capable of becoming something greater than itself.

Nude

Portrait

figurative

Human body

Dancers

Expressionism

Men

Shibari

Beige

Grey

Laurent Anastay-Ponsolle, Matière Brute
France  • 1982
128 followers

Presentation

Self-taught, Laurent Anastay-Ponsolle has always maintained an emotional relationship with his artistic practice: the feeling is his favorite exploration territory. From the very beginning, he goes where his instinct guides him. He prefers to photograph his model from different angles in order to choose what interests him in a pose, rather than retranscribing the primary truth. 

An obsession, the hands. Possessive, fragile or powerful, sensual or anonymous, they emerge as spectres to capture the attention and to give the essential emotional charge of the composition.

Through his erratic line, Laurent Anastay-Ponsolle tracks down emotions to expose them. He explores the sensitive, the ephemeral, the fragile. By accumulation or deletion, the eye is lost and the individuals disappear: infinite embraces, perpetual, by self forgetfulness or other forgetfulness, the features and the personalities fade away.

To express this research, an obvious medium, drawing. Then painting. However even through this one, the drawing emerges faces like an indelible mark. Saturation, breathing, its repentances are apparent: it scratches erases, erases and underlines its subject. Forbidding himself the use of an eraser, his technique is in the image of his subject: embodied, raw and spontaneous.

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