Le caprice, 2024
Moi.   New & remarkable Artists

Painting : acrylic · 100 x 100 x 2 cm 39.4 x 39.4 x 0.8 inch · Ready to hang

£2,268 2 268 £GB

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Shipping & delivery

Shipped from: Andorra

Delivery to: United Kingdom , £ 129

Estimated delivery: Three to four weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

100 x 100 x 2 cm 39.4 x 39.4 x 0.8 inch Height x Width x Depth

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Credentials

Vetted seller since 2026

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This seller offers discount when you purchase multiple artworks.

Description

Le Caprice stages a minimalist architecture crossed by an unexpected presence: an iconic car, emerging like a silent temptation. Between clean lines, bold colors and streamlined perspective, the work plays with the notions of desire, freedom and the staging of luxury.

Sara Bagot composes here an almost theatrical space, where the object becomes a symbol and where every element seems frozen in a suspended moment. Both elegant and bold, Le Caprice establishes itself as a contemporary collection piece, capable of imposing its visual force while leaving room for the viewer's imagination.

Moi., Le caprice

Moi.

Andorra  • 1990
91 followers

Presentation

Me.

At the edge of its sunny beaches, Sara Bagot turns into Me. A naked painter of artifices, she willingly trades artistic aura and conventions for a softness to create in a two-piece swimsuit.

Born in Toulouse in 1990, it is in Andorra - cradled by the venerable silence of the mountains - that she now holds a workshop; a working environment which is reminiscent of its original fascination with architecture. On the canvas, the artist honors the discipline of buildings whose raw shapes and pure lines make the villa with swimming pool the temple of the present moment and of beautiful solitude.

But art is to the public what isolation is to creation. Necessary. In 2016, Moi decided to share his work. Since then, she has multiplied exhibitions and collaborations whose hope is to unite art with our daily lives. On the back of a motorcycle helmet, in the hollow of a pocket, on the rounded edge of a coffee table, any support is good to paint to appease the viewer who in front of his works then implores: "Me , talk to me again".

Beyond our century at high speed, the artist therefore offers a moment of pause in the hollow of his pastel waves. Carried by a devastating second degree, she paints, not disarmed with daring, this world of abstract and figuration of which she alone has inspiration.

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