Le caprice, 2024
Painting : acrylic · 100 x 100 x 2 cm 39.4 x 39.4 x 0.8 inch · Ready to hang
Shipping & delivery
Shipped from: Andorra
Delivery to: United Kingdom , £ 129
Estimated delivery: Three to four weeks
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the artist
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
100 x 100 x 2 cm 39.4 x 39.4 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Discount
This seller offers discount when you purchase multiple artworks.
Description
Le Caprice stages a minimalist architecture crossed by an unexpected presence: an iconic car, emerging like a silent temptation. Between clean lines, bold colors and streamlined perspective, the work plays with the notions of desire, freedom and the staging of luxury.
Sara Bagot composes here an almost theatrical space, where the object becomes a symbol and where every element seems frozen in a suspended moment. Both elegant and bold, Le Caprice establishes itself as a contemporary collection piece, capable of imposing its visual force while leaving room for the viewer's imagination.
Presentation
Me.
At the edge of its sunny beaches, Sara Bagot turns into Me. A naked painter of artifices, she willingly trades artistic aura and conventions for a softness to create in a two-piece swimsuit.
Born in Toulouse in 1990, it is in Andorra - cradled by the venerable silence of the mountains - that she now holds a workshop; a working environment which is reminiscent of its original fascination with architecture. On the canvas, the artist honors the discipline of buildings whose raw shapes and pure lines make the villa with swimming pool the temple of the present moment and of beautiful solitude.
But art is to the public what isolation is to creation. Necessary. In 2016, Moi decided to share his work. Since then, she has multiplied exhibitions and collaborations whose hope is to unite art with our daily lives. On the back of a motorcycle helmet, in the hollow of a pocket, on the rounded edge of a coffee table, any support is good to paint to appease the viewer who in front of his works then implores: "Me , talk to me again".
Beyond our century at high speed, the artist therefore offers a moment of pause in the hollow of his pastel waves. Carried by a devastating second degree, she paints, not disarmed with daring, this world of abstract and figuration of which she alone has inspiration.
Reviews from our customers
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