Madison, 2026
Pierre Calogero  

Painting : acrylic · 100 x 100 x 2 cm 39.4 x 39.4 x 0.8 inch · Ready to hang

€3,560 3 560 €
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Shipped from: France

Delivery to: Germany , € 172

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

100 x 100 x 2 cm 39.4 x 39.4 x 0.8 inch Height x Width x Depth

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Description

This 2026 acrylic painting is part of a rigorous research into pure geometry.
The composition is structured around frank chromatic blocks and sharp lines.
The space fragments into contrasted zones.
A deep blue anchors the center of the canvas.
It dialogues with flat areas of ochre, red, and soft green.
The play of diagonals creates a precise visual rhythm.
The balance rests on the alternation between solid forms and white interstices.
The material reveals the use of natural pigments.
Each surface possesses its own density.
This approach invites calm contemplation.
The gaze circulates between the rigor of the forms and the softness of the hues.
The light seems to emanate from within the colored contrasts.
The whole forms a stable and harmonious visual architecture.
The precision of the drawing emphasizes a completed technical mastery.
The canvas ends with a sharp encounter between a green plane and a red border.

Abstract

Geometric

Geometric abstraction

Colors

Dark blue

Pierre Calogero, Madison
France  • 1947

Presentation

Pierre CALOGERO is a self-taught French painter whose artistic universe explores memory, time and the fragility of the sensory world.

He was born in Paris in 1944. He gradually developed an abstract body of work where light and coloured vibrations convey an inner as well as an aesthetic quest.

It is part of a personal approach, attentive to the correspondences between nature, memory and imagination. Early years and evolution Initially inspired by the New York school and the Support/Surfaces movement in France, he worked independently and enrolled in the studio of the American painter Henri Goetz in Paris to refine his skills and learn engraving.

Abstraction as a language He very quickly abandoned the figurative for abstraction and devoted himself to creative research by working on drawing.

He embraces pure geometric abstraction as his primary means of expression, his main language. His regular practice of watercolor and black and white photography are the sources of his visual research and inspiration. Influenced by the Japanese concept of the "Ephemeral World," he creates paintings that invite contemplation and meditation.

Faithful to basic techniques, he makes his own colors from natural pigments which he works with using different supports.

Her creations blend abstraction and evocation of reality, in a balance between movement, silence, and emotion. Exhibitions and Recognition

From the early 1970s he began to show his work in solo or group exhibitions.

In 1976, the equivalent of the future Frac Ile de France took an interest in his work and bought one of his paintings during his first solo exhibition in Cergy Pontoise.

In 2001 he participated in the Fata Morgana exhibition at the Nicaise bookstore in Paris for his pastel illustrations of a poem by André Pieyre de Mandiargue alongside artists such as P. Alechinsky.

Since 2006, he has devoted himself full-time to his painting and exhibits regularly in institutional shows such as the Salon d'Automne in Paris, as well as in galleries. In 2015, he participated in a traveling exhibition of French artists in China. He has also exhibited in galleries in Europe, including Lausanne, Brussels (Borg Gallery), and New York (Saphira Ventura). He will participate in the upcoming France-Japan Friendship Exhibition in Versailles in July 2026.

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