Ombre Matinale, 2025
Laurent Anastay-Ponsolle  

Painting : oil, acrylic · 65 x 50 x 0.1 cm 25.6 x 19.7 x 0 inch

€950 950 €

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Shipped from: France

Delivery to: Spain , € 100

Estimated delivery: Less than one week

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

65 x 50 x 0.1 cm 25.6 x 19.7 x 0 inch Height x Width x Depth

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Vetted seller since 2021

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This seller offers discount when you purchase multiple artworks.

Description

In Morning Shadow, the female body appears almost entirely absorbed by a mass of deep blues, which brutally contrast with the warm light of the background. The figure is not really described: it is constructed by fragments, between dark blocks, visible lines, and areas where the flesh still touches.

The yellow, far from being a simple backdrop, acts as a light that pushes the body forward while accentuating its opacity. Between physical presence and silhouette, it thus plays on a tension between what is shown and what remains in the shadow. The free gesture and the traces of the drawing give the painting its immediate, almost instinctive character.

Nude

figurative

Human body

back

Expressionism

Women

Navy blue

Yellow

Laurent Anastay-Ponsolle, Ombre Matinale
France  • 1982
129 followers

Presentation

Self-taught, Laurent Anastay-Ponsolle has always maintained an emotional relationship with his artistic practice: the feeling is his favorite exploration territory. From the very beginning, he goes where his instinct guides him. He prefers to photograph his model from different angles in order to choose what interests him in a pose, rather than retranscribing the primary truth. 

An obsession, the hands. Possessive, fragile or powerful, sensual or anonymous, they emerge as spectres to capture the attention and to give the essential emotional charge of the composition.

Through his erratic line, Laurent Anastay-Ponsolle tracks down emotions to expose them. He explores the sensitive, the ephemeral, the fragile. By accumulation or deletion, the eye is lost and the individuals disappear: infinite embraces, perpetual, by self forgetfulness or other forgetfulness, the features and the personalities fade away.

To express this research, an obvious medium, drawing. Then painting. However even through this one, the drawing emerges faces like an indelible mark. Saturation, breathing, its repentances are apparent: it scratches erases, erases and underlines its subject. Forbidding himself the use of an eraser, his technique is in the image of his subject: embodied, raw and spontaneous.

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