Lewox, 2025
Painting : oil · 50 x 50 x 2 cm 19.7 x 19.7 x 0.8 inch · Ready to hang
€1,773
1 773 €
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Shipped from: France
Delivery to: Germany , € 165
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
50 x 50 x 2 cm 19.7 x 19.7 x 0.8 inch Height x Width x Depth
Artwork dimensions including frame
52 x 52 x 3 cm 20.5 x 20.5 x 1.2 inch
Sold by
Art gallery
Professional art gallery • Israel
Credentials
Vetted seller since 2026
Description
A bold explosion of red dominates this composition. The petals unfold with a raw, emotional energy. Thick strokes of pigment create a sense of depth and movement. The forms blur at the edges. This technique softens the transition between the central flower and the muted background.
Warm ochre and cool grey tones balance the intensity of the crimson hues. The artist employs a tactile approach. Every mark feels deliberate yet spontaneous. The texture suggests a physical engagement with the medium.
In Lewoz, a sweeping red form and flowing brushstrokes suggest movement, echoing the title's musical reference. Léwòz names one of the seven rhythms of Guadeloupean gwoka, as well as gatherings of drumming, song and dance. This reference connects the painting to the Afro-Caribbean heritage and collective memory explored in the artist's practice.
Presentation
Born in 1997 in Montreuil, Aurélie Arzoine Lafages works at the intersection of painting and performance. Drawing on an Afro-Caribbean heritage, her practice explores the relationships between memory, emotion, and identity formation, bringing individual and plural identities into dialogue within a shifting pictorial space.
The human figure occupies a central place in her oil paintings. Faces drawn close together, isolated or overlapping bodies, and people gathered around a table: gazes and postures structure her compositions. Contrasts between dark backgrounds, pale fabrics, and vividly coloured areas emphasise the presence of bodies, while some contours fade. Through a scene of people playing dominoes in Martinique, the heritage she evokes takes shape in everyday gestures and shared moments. These figures connect with the personal and collective narratives at the heart of her practice.
Moving between abstraction and figuration, her painting brings forth fragmented, sometimes evanescent figures. These bodies, held in tension between appearance and disappearance, carry intimate histories shaped by diasporic, cultural, and spiritual memories. Each mark, each painterly gesture acts as a vehicle for silent transmission, an attempt to bring forth what eludes language.
For the artist, painting becomes a means of both grounding and escape. It explores shifting identities, multiple forms of belonging, and memories in flux. Each work unfolds through a process of gradual revelation. Rather than imposing a truth, it invites the viewer to listen to an embodied memory. In this dialogue between the visible and the invisible, between self and other, her painting becomes a space of lived presence, at once a refuge, a threshold, and a space of resonance.
A graduate of the École supérieure d'art d'Avignon in 2022 and the Beaux-Arts de Marseille in 2025, Aurélie Arzoine Lafages participated in the group exhibition “Entre deux eaux" at the Friche la Belle de Mai in 2025. In 2026, she was named among the recipients of the Jacques-Henri Hostyn Painting Prize.
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