Bronze Sculpture for Sale
Riff #10, 2022
Painting : aerosol paint, acrylic · 88 x 88 x 2.5 cm 34.6 x 34.6 x 1 inch · Ready to hang
$1,795
1 795 $US
Shipping & delivery
Shipped from: Italy
Delivery to: United States , $ 159
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
Authenticity guaranteed
Sold with certificate of Authenticity from the artist
Invoice from the artist Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Technique & Support
aerosol paint , acrylic on canvas
Dimensions ( cm • inch )
88 x 88 x 2.5 cm 34.6 x 34.6 x 1 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
Riff originates from the musical idea of repetition: a short, recognizable sequence capable of creating rhythm and identity through variations and overlaps.
In this series, that principle is transferred onto the painted surface. Marks, fields of colour, drips and gestures follow and transform one another, while colour becomes rhythm and the brushstroke takes on an instinctive, almost percussive quality.
The painting develops through layers, contrasts and recurring elements, creating a constant tension between spontaneity and structure. Riff thus translates the energy of music into a visual score made of gesture, colour and movement.
Presentation
Emanuele Vittorioso was born in Syracuse, Sicily, in 1977. Between 1997 and 2002 he lived and studied in Milan, attending the Brera Academy of Fine Arts, where he specialized in the conservation and restoration of cultural heritage. Alongside his work as a restorer, he progressively developed an independent artistic practice, exhibiting mainly in Italy, France and Spain.
His artistic language has its roots in graffiti culture and in his fascination with Italian abstract painting of the 1950s and 1960s. Over time, these influences have evolved into a personal visual vocabulary in which abstraction, post-graffiti and figurative elements coexist.
Vittorioso's paintings are built through layers of acrylic and spray paint, gestural marks, drippings, chromatic contrasts and overlapping forms. Order and chaos, control and spontaneity constantly confront one another, generating compositions characterized by movement, tension and a strong sense of visual energy.
In his most recent work, the human figure and organic forms have become increasingly present. Anatomical references, skeletal structures and luminous, almost fluorescent colors emerge from abstract backgrounds, creating images suspended between beauty and disquiet, life and death, transformation and rebirth.
His practice explores the fragile boundary between the visible and the hidden, the physical and the psychological, maintaining the instinctive energy of urban culture while moving toward an increasingly introspective and symbolic form of painting.
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