The Arrogance Of Crowns, 2026
Emanuelle Vittorioso  

Painting : aerosol paint, acrylic · 92 x 68 x 2.5 cm 36.2 x 26.8 x 1 inch · Ready to hang

CHF 1,409 1 409 CHF

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Shipped from: Italy

Delivery to: Switzerland , CHF 99

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

92 x 68 x 2.5 cm 36.2 x 26.8 x 1 inch Height x Width x Depth

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Credentials

Vetted seller since 2026

Description

“The Arrogance of Crowns" is a visual indictment of the arrogance of political power and dominant nations.
The crown, a symbol of supremacy and control, rests upon a skull, revealing the fragility concealed behind every claim to greatness.
The reference to the American flag reinforces the connection to contemporary leadership and the dynamics of global domination.

Vivid colours, drips and organic forms create an intense tension between apparent strength and inevitable transience.

The work invites us to rediscover humility, awareness and kindness as genuine forms of power.

Emanuelle Vittorioso, The Arrogance Of Crowns
Italy  • 1977

Presentation

Emanuele Vittorioso was born in Syracuse, Sicily, in 1977. Between 1997 and 2002 he lived and studied in Milan, attending the Brera Academy of Fine Arts, where he specialized in the conservation and restoration of cultural heritage. Alongside his work as a restorer, he progressively developed an independent artistic practice, exhibiting mainly in Italy, France and Spain.

His artistic language has its roots in graffiti culture and in his fascination with Italian abstract painting of the 1950s and 1960s. Over time, these influences have evolved into a personal visual vocabulary in which abstraction, post-graffiti and figurative elements coexist.

Vittorioso's paintings are built through layers of acrylic and spray paint, gestural marks, drippings, chromatic contrasts and overlapping forms. Order and chaos, control and spontaneity constantly confront one another, generating compositions characterized by movement, tension and a strong sense of visual energy.

In his most recent work, the human figure and organic forms have become increasingly present. Anatomical references, skeletal structures and luminous, almost fluorescent colors emerge from abstract backgrounds, creating images suspended between beauty and disquiet, life and death, transformation and rebirth.

His practice explores the fragile boundary between the visible and the hidden, the physical and the psychological, maintaining the instinctive energy of urban culture while moving toward an increasingly introspective and symbolic form of painting.

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