Earth, 2026
Painting : acrylic, mixed media · 60 x 60 x 4 cm 23.6 x 23.6 x 1.6 inch
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Shipped from: Germany
Delivery to: United States , $ 111
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
acrylic , mixed media on Linen
Dimensions ( cm • inch )
60 x 60 x 4 cm 23.6 x 23.6 x 1.6 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2022 • Top Seller
Description
Earth continues Anastassia Skopp's series of textured floral works on linen, each built through a controlled layering of spray and knife that leaves the artist's hand visible in the surface. The base is built in deep, mossy greens layered one over another until dark reddish tones surface between the leaves, the way rust shows through dark soil after rain. Roses open in cream-yellow and magenta-pink, thick with paint, holding light the way something does when it has just broken through the surface. Small pink buds trail along the thinner branches, still closed, shaped one by one with a small knife. The reddish undertone in the green is the same red that runs through Ember, just buried now, doing different work.
Medium: Acrylic (spray, Fluid, Heavy Body) on 100% linen canvas
Dimensions: 60 × 60 × 4 cm / 23.6 × 23.6 × 1.6 in
Year: 2026
Painted sides, ready to hang unframed
Signed and dated by the artist
Comes with Certificate of Authenticity
Presentation
Anastassia Skopp is a contemporary artist whose botanical paintings explore presence, intuition, impermanence, and the delicate balance between control and surrender.
Flowers, branches, leaves, and shifting light provide the recognizable vocabulary of her work, but nature is never treated simply as a decorative subject. Skopp is interested in what happens when sustained attention changes the way an ordinary moment is experienced.
Since 2017, her study of Eckhart Tolle's teachings has influenced both her thinking and her painting process. She frequently works without detailed preparatory sketches, allowing a composition to develop through response rather than through the execution of a fixed plan. A branch may change direction, a flower emerge unexpectedly, or an open area remain untouched.
Her blossoms are often constructed through dense, sculptural strokes that rise physically from the surface. These tactile forms contrast with atmospheric fields of color, sprayed passages, delicate lines, and areas of visual silence. The result is a tension between material weight and ephemerality.
Across bodies of work including Spring Smells, A Summer Garden, Komorebi, and Wabi-Sabi Fragments, Skopp returns to ideas of transience and imperfect beauty. Light filtering through leaves, changing seasons, and irregular natural forms become reminders that experience cannot be permanently held.
Her paintings ultimately invite the viewer to slow down and return attention to the present — not as an escape from life, but as a way of encountering it more fully.
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