Le Feu Dévorant, 2025
Jenna Loubens  

Painting : oil, acrylic · 70 x 50 x 2 cm 27.6 x 19.7 x 0.8 inch · Ready to hang

€1,857 1 857 €

One of the last works available by this artist

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Shipped from: Israel

Delivery to: Germany , € 108

Estimated delivery: Two to three weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

70 x 50 x 2 cm 27.6 x 19.7 x 0.8 inch Height x Width x Depth

Sold by

Art gallery

Professional art gallery • Israel

Credentials

Vetted seller since 2026

Description

This abstract composition balances raw gesture with calculated silence. A vast field of creamy white dominates the center. It pulses against a deep black void. The tension creates a powerful visual contrast. Bold strokes of cobalt blue anchor the lower half. These forms feel architectural yet fluid. Vibrant accents of crimson and lemon yellow slice through the darkness. They guide the eye in a rhythmic vertical dance. Fine, tentative lines scratch the surface. They suggest a hidden language or a forgotten map. The application of paint varies from thick impasto to transparent washes. This texture adds a physical dimension to the emotional weight of the scene. Every mark feels immediate. The energy is spontaneous. It captures a moment of creative intuition. The artwork explores the boundary between chaos and order. Light and shadow collide in a seamless narrative of color. A final curve of pale green anchors the right edge.

Abstract

Colors

Abstract expressionism

White

Black

Jenna Loubens, Le Feu Dévorant

Jenna Loubens

France  • 1990

Presentation

A self-taught artist born in 1990, Jenna Loubens lives and works in Tel Aviv. Her practice bridges painting, textile, and design, merging movement and matter into living compositions. Through the integration of typographic forms, she transforms writing into a visual language — a passage between the tangible and the spiritual. Influenced by her years in Paris, Berlin, and Los Angeles, she approaches creation as a vital process of transformation beyond concepts.

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