Bronze Sculpture for Sale
The other cochizqueta sister, 2024
Painting : acrylic · 27.5 x 21.5 x 0.1 cm 10.8 x 8.5 x 0 inch
$804
804 $US
One of the last works available by this artist
Shipping & delivery
Shipped from: Italy
Delivery to: United States , $ 19
Estimated delivery: Less than one week
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Unstretched (shipped rolled)
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
27.5 x 21.5 x 0.1 cm 10.8 x 8.5 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2024 • Top Seller
Description
This digital print explores the intersection of identity and ancestral heritage. The artist draws from his deep family roots in Michoacán to create a unique visual language. He employs a process of porcine transformation to re-signify the human form. This approach blends benevolent irony with a poetic exploration of belonging.
The composition presents a hybrid female figure. Her skin glows in a vibrant pink hue. Porcine ears emerge from her dark hair, blending animal and human traits. She wears a red patterned garment that frames her torso, complemented by a pearl necklace with a central red gem. This adornment adds a touch of classical elegance to the surreal subject.
The background is a stark, saturated blue. It creates a sharp contrast that pushes the figure forward. A small bird rests gently in the crook of her arm, introducing a theme of tenderness and peace. This detail softens the bold colors and quirky anatomy. The artwork balances the grotesque and the harmonious through a figurative style. It invites the viewer to reflect on cultural symbols and personal memory through a striking, contemporary lens.
Presentation
Luis Rodríguez Naranjo is a Mexican artist from La Piedad, Michoacán, whose practice is rooted in his family’s history of pig farming. For him, the pig represents far more than an economic activity: it is connected to childhood memories, family conversations, local culture, culinary traditions, and the social identity of his hometown. This personal heritage has become the foundation of his artistic language, in which the pig functions as a symbol of belonging, continuity, abundance, and transformation.
Rodríguez Naranjo makes the pig the visual and conceptual axis of his work through a process he describes as “pig-ifying” or “cerdifying.” He transforms objects, characters, everyday scenes, and external artistic proposals into porcine forms. These transformations may be direct and fully recognizable or subtle, retaining only the essential qualities of the original subject. His work is not intended as parody or mockery; rather, it uses benevolent irony to recreate and re-signify familiar images within his own porcine universe.
Curiosity has led Rodríguez Naranjo to engage with the visual languages of artists including Picasso, Vincent van Gogh, and Keith Haring. By adapting elements of their styles into his own practice, he expands the imaginative possibilities of porkification. Each work also operates as a mirror: viewers interpret the porcine imagery according to their own cultural backgrounds, emotional experiences, and associations with pigs. As a result, a work may appear poetic or harmonious to one viewer and grotesque or satirical to another.
His practice includes painting, conceptual installations, mixed-media works, prints, and artistic interventions. His major projects include , a series of 365 works, and . More recent projects have expanded his practice into installations, collaborations, art fairs, cultural events, and commercial products.
Rodríguez Naranjo has exhibited in Mexico, Italy, Costa Rica, and Denmark. His solo exhibitions and presentations include at Chiasso Perduto in Florence, Italy, in 2025, featuring eleven self-portraits and a conceptual installation; the Vaca Loca Mezcal Art Event and Exhibition in Guadalajara in 2025; and presentations at the 3Tres3 Experience Congress LATAM in San José, Costa Rica, and several Mexican pig-farming congresses between 2024 and 2025. Earlier solo exhibitions included venues in León, Lagos de Moreno, and La Piedad, where he presented selections from his major painting projects.
His collective exhibitions include BADA México in Mexico City in 2024, in Mexico City in 2025, in Guanajuato, and by Art 58 Gallery in Mexico City in 2022. He has also participated in exhibitions in Morelia, La Piedad, Lagos de Moreno, and Cruz de Huanacaxtle. Internationally, one of his works was included in at the Trapholt Museum of Art and Design in Kolding, Denmark, from 2016 to 2017.
Today, Rodríguez Naranjo continues to live and work in La Piedad. Through his “pig-ified” images, he transforms a family and regional legacy into a contemporary artistic practice that invites viewers to reconsider identity, cultural meaning, and their own ways of seeing.
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