2nd movement-Symphony N.11 by Dmitri Shostakovich-Series VI, 2026
Sanghoon Kang  

Painting : acrylic · 91.4 x 91.4 x 3.8 cm 36 x 36 x 1.5 inch · Ready to hang

€3,200 3 200 €

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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the artist

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

91.4 x 91.4 x 3.8 cm 36 x 36 x 1.5 inch Height x Width x Depth

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Independent artist

Credentials

Vetted seller since 2026

Description

A long time ago, while listening to Shostakovich's Symphony No.11, I repeatedly returned to the central theme that emerges for about 10 minutes in the second movement. During that time, I made numerous sketches in a small sketchbook and I now developed one of them onto 36 x 36 in canvas.

The music has a dark and somber atmosphere, but the intense and beautiful interplay of strings, winds, and percussion provides a rich source of inspiration.

In particular, the work expresses the antiphonal, round-like exchanges of dialogue among the string instruments, as well as the interplay of percussion and woodwind and brass that cut through and weaves between instruments.

The upper left section of the work represents the woodwind and the brass, the middle section the percussion, and the lower right section the strings. 

This work is a further development of the Series I, III and V in which I translated the score of the same passage directly into geometric form. Here, I have focused on and enlarged a fragment of that musical structure.

I intend to continue this process, bringing additional sketches from my sketchbook onto 36 x 36 in canvas.

Geometric

Geometric abstraction

Grey

Dark blue

Sanghoon Kang, 2nd movement-Symphony N.11 by Dmitri Shostakovich-Series VI

Sanghoon Kang

South Korea  • 1963

Presentation

To me, music is both an inevitable encounter and a vital compass in life. 

As a lifelong cellist raised in a musical family in Korea, music has become a fundamental part of my identity, woven into my life by both passion and obligation. Though I did not pursue the path of a cellist, I was drawn to fields such as engineering and architecture, disciplines that intertwine art, logic, and imagination. I completed my undergraduate studies in mechanical engineering in the U.S., went on to pursue graduate studies in architecture in the U.S., and earned doctoral degree in architectural history in France. 

After a long and winding journey, I worked as an architect, taught architectural history in universities in Korea, and art gallery director in France, moving between cultures while constantly searching for an artistic language through which I could communicate with my own inner world. During my years in Paris, France, directing an art gallery, my long friendships and collaborations with artists from around the world deepened my desire to realize my own artistic vision. Eventually, upon leaving France and settling in Canada, I began a new chapter as a visual artist, a painter. 

While studying architecture, I encountered Goethe and Schelling's evocative notion that “architecture is frozen music." The idea fascinated and inspired me to connect the three threads that have shaped my life, music, architecture, and painting, into a single expressive form. 

Listening to music, I try to perceive the movement of notes and visualize their inner structure, exploring it through a scientific lens. By enumerating, separating, juxtaposing, and merging various geometric forms, combining them with diverse color harmonies, I create my own “play" of structure and sound, imagining the shape of “frozen music." Through these , I strive to express the stories of humanity, nature, culture, and the spirit of nations within a single on canvas. 

For me, painting is a precious way to share moments of peace, blessing, and joy that art brings, and to participate in the world through them. Many viewers from around the world have said that they could almost “hear" the music in my paintings. When we talk about the aesthetic beauty within these musical images, I feel that they, too, are sharing in the same mysterious world that art creates. 

My artwork has been exhibited and introduced through solo and group shows and art fairs in France, Canada, the United Kingdom, Korea, and Japan. I am currently focused on researching 21st-century music and painting. 

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