Who Are You, 2026
Painting : acrylic · 61 x 61 x 0.1 cm 24 x 24 x 0 inch
CHF 4,025
4 025 CHF
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Shipped from: United States
Delivery to: Switzerland , CHF 515
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
61 x 61 x 0.1 cm 24 x 24 x 0 inch Height x Width x Depth
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Art gallery
Credentials
Vetted seller since 2015 • Top Seller
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This seller offers discount when you purchase multiple artworks.
Description
Tom McGlynn is an American abstract artist, independent curator, and writer based in the New York area. Holding an MFA from Hunter College and serving as an Editor-at-Large for The Brooklyn Rail, McGlynn's work is held in prestigious public collections, including the Whitney Museum of American Art, the Museum of Modern Art (MoMA), and the Victoria and Albert Museum.
His practice sits at the intersection of geometric abstraction and social semiotics, drawing inspiration from urban signage, architectural proportions, and commercial media. In his paintings, floating, unattached color blocks suspended on neutral fields transform everyday visual signals into clean, harmonious arrangements—exploring how color, scale, and negative space shape our perception.
Presentation
Tom McGlynn is an American writer, independent curator and abstract artist whose creations explore patterns and forms, with the help of monochrome and contrasting colors. He is also the founding director of Beautiful Fields, an organization devoted to socially committed conservation projects. He lives and works around New York. The artist studied at Ramapo College in New Jersey, and obtained a bachelor's degree in 1979. In 1996, he obtained his master's degree in painting at Hunter College. McGlynn teaches at Parsons New School for Design in New York nowadays.
He draws inspiration from minimalist and post-minimalist traditions and through the work of geometric abstraction artists like Frank Stella. McGlynn treats Kasimir Malevich, Ellsworth Kelly, Mary Heilmann, Barnett Newman and Peter Halley as his artistic influences. McGlynn is also fascinated by phenomenology, studying structures of human consciousness which is unveiled via experiments. By turning contemporary common forms into abstract, putting them back in order, to trigger an emotional response, he is devoted to what he describes as "a kind of contemporary realism." McGlynn considers the entire visual landscape of culture, including medias, architecture, advertising and various other elements of the urban backdrop as the "accumulated sediment of the broadcasted conscience". He treats this "sediment" as his raw material and turns it into abstract.
McGlynn paints his work with a lot of energy, by slowly applying acrylic layers on wooden panels, canvases or paper. The artist, writer and conservator Brendan Carroll, co-founder of Agitators Collective commented his work "At first glance, the compositions seem orderly and balanced. But when one gets a closer look, the rectangular strips aren't symmetrical, but interspersed and unequal. They refute uniformity...His visual language is the outcome of an indifferent observation of the world which surrounds him...McGlynn's work leans....on the immediate effect of observing things....".
His work is part of several permanent institutional collections, these include Victoria and Albert Museum in London, Whitney Museum and MoMA in New York.McGlynn exhibited a lot and also participated in various installations and group projects in USA. His work appeared on Artforum's cover in October 1991 and his exhibitions were commented in the New York Times.
He draws inspiration from minimalist and post-minimalist traditions and through the work of geometric abstraction artists like Frank Stella. McGlynn treats Kasimir Malevich, Ellsworth Kelly, Mary Heilmann, Barnett Newman and Peter Halley as his artistic influences. McGlynn is also fascinated by phenomenology, studying structures of human consciousness which is unveiled via experiments. By turning contemporary common forms into abstract, putting them back in order, to trigger an emotional response, he is devoted to what he describes as "a kind of contemporary realism." McGlynn considers the entire visual landscape of culture, including medias, architecture, advertising and various other elements of the urban backdrop as the "accumulated sediment of the broadcasted conscience". He treats this "sediment" as his raw material and turns it into abstract.
McGlynn paints his work with a lot of energy, by slowly applying acrylic layers on wooden panels, canvases or paper. The artist, writer and conservator Brendan Carroll, co-founder of Agitators Collective commented his work "At first glance, the compositions seem orderly and balanced. But when one gets a closer look, the rectangular strips aren't symmetrical, but interspersed and unequal. They refute uniformity...His visual language is the outcome of an indifferent observation of the world which surrounds him...McGlynn's work leans....on the immediate effect of observing things....".
His work is part of several permanent institutional collections, these include Victoria and Albert Museum in London, Whitney Museum and MoMA in New York.McGlynn exhibited a lot and also participated in various installations and group projects in USA. His work appeared on Artforum's cover in October 1991 and his exhibitions were commented in the New York Times.
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