My angel, 2026

Olha Riabokon  

This artwork is shipped rolled in a protective tube (unstretched) for safe international delivery. The canvas includes an additional 2 inches (5 cm) of material on each side for professional stretching on a wooden frame. The dimensions stated in the listing refer to the final size of the artwork after stretching.
My Angel
Sometimes, true strength isn't needed to weather the storms, but to reach a point where we no longer fear them.
Perhaps that is a rare kind of luxury — to feel the ground beneath your feet and let your thoughts scatter in the wind. To be serious when you feel like it, and utterly carefree when your soul longs for a little wonder.
Because lightness doesn't always mean a life without worries. Sometimes, it is the quiet confidence that even if the wind carries you a little further than you intended, there is still something within you that will keep you from losing your way.
And then, you can simply live. Dream. Blossom. And sometimes allow yourself a little dandelion-like recklessness.

Series: 'Her Wild Garden'

This series brings together vivid, surreal and intimate paintings in which a recurring female figure finds herself in a slightly strange, almost fairy-tale world. Drawing on personal memories and experiences of attraction, as well as the sometimes absurd dynamics between women and men, the works transform fragments of lived experience into imagined scenes. 
Pink spaces, flowers, animals and fantastical landscapes create a sense of lightness and an almost naïve beauty. Yet beneath this sweetness, something more ambiguous gradually emerges. The women in these paintings are sensual, yet their presence is not reduced to mere objects of desire. They exist in their own space, playing, watching, hiding, seducing, getting bored, laughing and simply inhabiting their own lives. 
'I am interested in placing visual attractiveness alongside what usually remains beyond its surface'. Cute animals, decorative elements, pastel tones and floral aesthetics coexist with themes of desire, loneliness, self-perception, power and how women are perceived through their sexuality. This tension between outward innocence and inner ambiguity enables me to address serious issues in an indirect manner. 
Autobiographical fragments provide the basis for real events to transform into imagined situations, characters, and spaces. 'I want to give viewers room to find something of their own within the work — a memory, a desire, a private joke, a familiar situation, or simply a feeling'.