La face nord [ Série Les égarés], 2026
Vincent Carpentier  

Painting : acrylic, pastel, collage · 119 x 81 x 2 cm 46.9 x 31.9 x 0.8 inch · Ready to hang

CHF 2,500 2 500 CHF

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Shipped from: France

Delivery to: Switzerland , CHF 114

Estimated delivery: One to two weeks

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the artist

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

119 x 81 x 2 cm 46.9 x 31.9 x 0.8 inch Height x Width x Depth

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Credentials

Vetted seller since 2017

Discount

This seller offers discount when you purchase multiple artworks.

Description

The Lost
Through The Lost, Vincent Carpentier explores human figures withdrawn from the world, as if suspended between presence and disappearance. The painting mixes with fragments of torn posters, traces, and tears, bringing forth the characters from an urban material charged with memory. Without telling their story, the artist gives them a presence and a place, inviting the gaze to linger on these fragile existences, often left in the shadow.

The north face (Diptyque)

A character seems to have found refuge on a pile of poster fragments, as if resting on the debris of the city.

Street art

Everyday life

figurative

Men

Humans

Immigration

Dark blue

Vincent Carpentier, La face nord [ Série Les égarés]
France  • 1962

Presentation

After working as a commercial engineer from 1987 to 1992, notably in Egypt, and then as a middle school math teacher for thirty years, I am now dedicating myself to the plastic/visual work that I have been pursuing in parallel, in the background, for several years.

Photography, especially "street photography," is at the source of this work. The human element was central to this photographic work, just as it was in my teaching career.

For several years, alongside and feeding off this photographic work, I have gradually developed a plastic/visual practice, influenced by urban art, where painting and collages, particularly of poster fragments, are taking an increasing role.

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