Derealization, 2026
Painting : oil · 100 x 100 x 4 cm 39.4 x 39.4 x 1.6 inch
£3,484
3 484 £GB
One of the last works available by this artist
Shipping & delivery
Shipped from: Russian Federation
Delivery to: United Kingdom , £ 141
Estimated delivery: Two to three weeks
Free returns within 14 days, full refund
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Invoice from the artist Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Unstretched (shipped rolled)
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the artist
Signature
Hand-signed by artist
Dimensions ( cm • inch )
100 x 100 x 4 cm 39.4 x 39.4 x 1.6 inch Height x Width x Depth
Sold by
Independent artist
Credentials
Vetted seller since 2026
Description
Curved blue lines bend the space around a kneeling figure, while a dark, cloud-like form gathers behind her. The yellow glow draws the eye through the painting.
In Maria’s account, the work gives physical form to a distorted sense of reality. Even when the figure no longer has the strength to stand, she keeps looking toward the light.
From the series Only for the Mad.
Acrylic, oil paint and texture gel on canvas.
Signed on the back.
Presentation
Maria Hazanskaia, working under the name Hazart, creates figurative paintings that explore inner experience: fear, freedom, belonging and the search for oneself. Working in oil on canvas, sometimes with acrylic and textured materials, she gives emotions a tangible form through the human figure, symbolic colour and richly worked surfaces.
Her paintings begin with lived experience. A child at play becomes an image of unguarded joy; a gathering of artists becomes a home beyond time and borders; a figure moving towards darkness becomes a reflection on courage. Within her series Only for the Mad, painting is a way to explore the distance between what we see and what we feel.
Her practice brings painting and performance into the same space. Maria paints nude: the body, movement and time at the easel are part of the work. Many paintings are filmed as they take shape, so each finished canvas opens onto the gestures and hours behind it. Alongside the figurative work, she makes abstract pieces in which colour and texture take the foreground.
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