Flickering in and out of existence, 2025
Painting : acrylic, canvas · 110 x 90 x 3.7 cm 43.3 x 35.4 x 1.5 inch · Ready to hang
One of the last works available by this artist
Shipping & delivery
Shipped from: Spain
Delivery to: Switzerland , CHF 127
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
110 x 90 x 3.7 cm 43.3 x 35.4 x 1.5 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2026
Description
This artwork is part of the series , where I imagine a space in which the actors who perform my dreams await their next role or slowly dissolve into oblivion. It is a world suspended between the digital and the subconscious, at once claustrophobic and infinite, inhabited by presences that seem to lose both form and memory.
In this series, I engage conceptually with chroma key (green screen), which appears throughout the works as a flat green plane. For me, chroma key represents both an eternal void and a field of infinite possibilities—a space onto which anything can be projected.
Presentation
Victoria Lavezzari (b. 1992, Buenos Aires, Argentina) is an Argentine-Italian artist and architect based in Madrid, Spain. Fascinated by the challenge of replicating digital tones on canvas, she uses fluorescent acrylics and oils to translate the saturation and luminosity of digital color into painting. Distorted human figures are a recurring motif in her work, through which she explores the tension between dreams and nightmares.
Lavezzari graduated in Architecture from the University of Palermo in 2016. Before devoting herself entirely to painting, she worked for a decade in 3D design, digital post-production, and graphic design. While her digital work translated the physical world into hyper-realistic virtual environments, her painting practice reverses that impulse—transferring the artificial qualities of the digital realm back into physical space through hyper-saturated colors, impossible figures, and video game-inspired aesthetics.
Her process merges digital tools with traditional painting. Her work was awarded 1st Prize in Versiona Thyssen XX at the Museo Nacional Thyssen-Bornemisza (Madrid, 2024) and the PRIOR Art Collections Residency Award in Versiona Thyssen XXI (Barcelona, 2024).
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