In te speravi, 2026
Painting : oil · 55 x 46 x 1 cm 21.7 x 18.1 x 0.4 inch · Ready to hang
$578
578 $US
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Shipped from: France
Delivery to: United States , $ 98
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
55 x 46 x 1 cm 21.7 x 18.1 x 0.4 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Description
The artist explores here the boundaries of portraiture through a style close to raw art.
The gesture is fast. The lines intertwine with an assumed freedom.
Two figures are outlined on a saturated purple background.
One is adorned with earthy tones and deep blues while the other fades into a spectral white.
The oil is worked with spontaneity.
Black and orange drips come to rhythm the bottom of the composition.
The raw aspect of the forms suggests a human presence stripped of all artifice.
The contrast between the softness of the background and the violence of the line creates a constant visual tension.
The whole evokes a fleeting, almost dreamlike encounter.
This painting from 2026 is distinguished by its economy of means and the intensity of its chromatic contrasts.
Presentation
Born in 1967 in Grenoble. Frédéric Batard discovered painting alongside his grandfather, a watercolourist. From an early age, he assiduously frequented museums and libraries and was passionate about abstract art and design.
At the age of 19, he took the plunge and made his first paintings. For five years, he created tirelessly, then stopped to devote himself to his job as a physiotherapist and his family.
At the same time, he is expanding his collection of contemporary works and advertising posters.
In 2010, at the instigation of his new partner, he got caught up in the game and rediscovered the pleasure of painting. A mad desire to make up for lost time motivates him. He exhibited his first paintings in his Cabinet. A patient offers him to exhibit at the 'Auberge des Peintres' in Optevoz in the footsteps of Corot and Daubigny, he accepts. The adventure is launched. A journalist nicknamed him "the color massager".
Since then, he has been regularly selected in salons and exhibited both in unexpected public places and in galleries in France. He is a member of the Lyon Academy of Painting.
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