Camélia, 2026
Painting : oil · 80 x 80 x 3.5 cm 31.5 x 31.5 x 1.4 inch · Ready to hang
CHF 1,200
1 200 CHF
Shipping & delivery
Shipped from: France
Delivery to: Switzerland , CHF 137
Estimated delivery: One to two weeks
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
80 x 80 x 3.5 cm 31.5 x 31.5 x 1.4 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2017 • Top Seller
Description
The oil on canvas explores the boundaries of portraiture here. The gesture is free. The forms intertwine in a composition rhythmized by marked chromatic contrasts.
An earthy background welcomes sketched silhouettes with spontaneity. The turquoise blue brings a cold light to the center of the image. Black lines, nervous and graphic, come to structure the space.
The approach resembles raw art. The material is worked with frankness. The eye circulates between areas of transparency and denser impasto.
At the top of the canvas, touches of mauve and yellow create an airy horizon. Discreet drips highlight the verticality of the scene. The whole rests on a fragile balance between abstraction and figuration.
This 2026 creation testifies to a research into morphology and color. The execution favors instinct and the fluidity of the line.
Presentation
Born in 1967 in Grenoble. Frédéric Batard discovered painting alongside his grandfather, a watercolourist. From an early age, he assiduously frequented museums and libraries and was passionate about abstract art and design.
At the age of 19, he took the plunge and made his first paintings. For five years, he created tirelessly, then stopped to devote himself to his job as a physiotherapist and his family.
At the same time, he is expanding his collection of contemporary works and advertising posters.
In 2010, at the instigation of his new partner, he got caught up in the game and rediscovered the pleasure of painting. A mad desire to make up for lost time motivates him. He exhibited his first paintings in his Cabinet. A patient offers him to exhibit at the 'Auberge des Peintres' in Optevoz in the footsteps of Corot and Daubigny, he accepts. The adventure is launched. A journalist nicknamed him "the color massager".
Since then, he has been regularly selected in salons and exhibited both in unexpected public places and in galleries in France. He is a member of the Lyon Academy of Painting.
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