Bronze Sculpture for Sale
Painting : oil · 156 x 120 x 3 cm 61.4 x 47.2 x 1.2 inch · Ready to hang
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Shipped from: France
Delivery to: France Free delivery
Estimated delivery: Less than one week
Free returns within 14 days, full refund
Sold with certificate of Authenticity from the artist
Invoice from the gallery Learn more
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Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
Authenticity
Sold with certificate of Authenticity from the artist
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
156 x 120 x 3 cm 61.4 x 47.2 x 1.2 inch Height x Width x Depth
Art gallery
Credentials
Vetted seller since 2014
Canvas Desires is an oil on canvas painting by Kumikaho Oshima from the series Naked Fortunes: Portraits of Barbie and Dollars, where the artist stages a direct encounter between a nude Barbie figure and the enlarged portrait of a US dollar bill, constructing a visual dialogue between intimacy and economic symbolism. The composition juxtaposes the smooth plastic body of the doll with the intricate engraved features of the currency, transforming the pictorial surface into a field of tension where personal longing intersects with systems of evaluation. This confrontation suggests that contemporary identity is shaped not only by inner desire but also by external frameworks of worth.
The framing is deliberately compressed, intensifying the proximity between the two presences: the printed gaze of the dollar portrait appears to scrutinize the figure, while the Barbie’s slight turn introduces an ambiguity that oscillates between assertion and retreat. Oshima uses this polarity to question how desire is conditioned by invisible structures of power, revealing the subtle mechanisms that influence individual aspirations. The contrast between the doll’s luminous skin tones and the fine linear textures of the banknote produces an optical vibration that deepens the psychological resonance of the scene.
A restrained palette dominated by neutral shades and warm accents encourages contemplative viewing rather than spectacle. Light transitions across the figure’s surface articulate volume with precision, while the currency backdrop, treated with graphic rigor, anchors the composition in a codified visual language. This opposition becomes a metaphor for the coexistence of emotional subjectivity and normative systems, emphasizing how fragile personal desires can become when exposed to comparison and judgment.
In Canvas Desires, nudity is neither decorative nor provocative; it functions as a conceptual device that strips away social markers to foreground vulnerability. By removing all external attributes, Oshima invites viewers to confront the mechanisms through which identity is projected and perceived. The omnipresent dollar motif acts as a critical lens, reminding us that personal validation often operates within structures that extend beyond the individual’s control.
As a major member of the studio CrazyNoodles, Oshima situates this work within a broader Neo-Pop discourse examining the global circulation of imagery and its impact on self-perception. Through the appropriation of Western symbols, she proposes a sensitive reinterpretation in which cultural hybridity becomes a tool for analysis rather than mere aesthetic borrowing. The Barbie figure functions here as a reflective surface, revealing tensions between personal autonomy and collective expectation.
The conceptual influence encouraged within the collective by Hiro Ando is evident in Oshima’s ability to merge visual seduction with critical depth. Canvas Desires initially captivates through formal clarity, then unfolds into a nuanced reflection on how desire is constructed within image-driven societies. Every painterly detail contributes to a narrative where intimacy and symbolism coexist without hierarchy.
Through its balance of visual tension, technical precision, and conceptual richness, Canvas Desires stands as a key work within the Naked Fortunes series. The painting demonstrates Oshima’s capacity to transform familiar cultural icons into spaces of inquiry that address value, vulnerability, and identity projection. By its poised composition, refined execution, and subtle emotional intensity, Canvas Desires emerges as a highly collectible artwork. A piece particularly suited for collectors of contemporary Japanese art, Neo-Pop, and figurative paintings exploring interiority, tension, and the evolving psychology of desire.
Kumikaho Oshima is a Japanese artist born in 1986 in Tokyo.
All of her work revolves around two main topics; Barbie dolls and American dollars. She seeks to illustrate the actual condition of young women in Japan through her satirical work by criticizing the excessive implantation of Western tendencies in Japanese culture and art as well as the appropriation of capitalist symbols and values. The artist evokes the revolution of Japanese women's manners and desires in her paintings, who in a traditional and limited society began to perceive money as a source of power. Barbie dolls represent the Western physical ideal and the dollar bills play the role of an essential good to female emancipation.
From an aesthetic point of view, her work belongs to the Japanese Neo-pop art movement represented by Japanese artist Takashi Murakami. Oshima work is subtle, she limits the use of colors, she prefers to use earthyand fresh tonalities, which can sometimes give an impression of whashed out to her work but this impression is compensated by the sensual and emotional scenes that she depicts. She uses certain photographic techniques such as zooming or not placing the subject in the center of the frame without making the scenes more dramatic or dynamic.
With time, Kumikaho Oshima has developed a strong and easily recognizable style. Her work is present at the Jacob Paullet Gallery.
All our reviews are extracted from Verified Reviews
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