Bronze Sculpture for Sale
Sans titre - N°XVII, 1969
Painting : Watercolour · 50 x 65 x 0.25 cm 19.7 x 25.6 x 0.1 inch
€500
500 €
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Shipped from: France
Delivery to: France , € 32
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Technique & Support
Dimensions ( cm • inch )
50 x 65 x 0.25 cm 19.7 x 25.6 x 0.1 inch Height x Width x Depth
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Art gallery
Credentials
Vetted seller since 2016 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
This work presents a striking and disconcerting mix of human figures floating in a space dominated by a vivid, deep blue. The characters, rendered with bold, fluid brushstrokes, seem to be in perpetual motion, giving the scene an almost dramatic intensity. On the left of the composition, the red and pink figures stand out for their dynamic and expressive poses, evoking some sort of celebration or conflict. They seem to interact with each other, their arms and torsos intertwining as if in a frenzied dance. The striking contrast of their warm colors with the blue of the background accentuates their presence and energy. On the right, the central figure, painted in shades of gray with touches of bright yellow, stands out like a pivot around which the other characters gravitate. His rigid posture and angular face provide a striking counterpoint to the fluidity of the surrounding forms, suggesting a kind of solemnity or detachment. The figures on the far right, in bright orange tones, add another layer of dynamism to the whole. Their movements seem more contorted, almost acrobatic, and their elongated and distorted forms contribute to the vibratory and chaotic effect of the scene. The color palette, contrasting warm and cool tones, accentuates the movement and energy of the work. The brush strokes seem spontaneous but controlled, each stroke adding a new dimension to the painting. In short, this work captivates the eye with the intensity of its colors and the complexity of its forms. She invites the viewer to get lost in a whirlwind of emotions and interpretations, making each look new and unique.
-Original watercolor on Arches paper -Extract from a series of study plates for choreography -Format 50 x 65 cm -Signed lower right -Dated on the back: August 21, 1969
Presentation
Jean Pons was born in 1913 in Paris and died in 2005, he was a great French artist of the 20th century.
In 1938, he founded his lithography studio which allowed him to work with all the great artists of the century such as: Nicolas de Staël, Serge Charchoune, Robert Delaunay, Wassily Kandinsky and Serge Poliakoff. In parallel, Jean created his own pieces in an expressionist style. Later on, he started working on classic subjects like dead nature, landscapes and portraits.
In the late 30s, he turned towards abstraction and practiced different techniques including collage and mixed techniques. But this period lasted only a short time and under the influence of the New Figuration movement, he took a figurative style. He kept his predilection for bright colors although his choice of colors softened gradually.
Throughout his career, he has been in constant contact with artists from all the great movements of the 20th century: Geometric Abstraction, New School of Paris, Lyrical Abstraction, Cobra, and many others.
In 1938, he founded his lithography studio which allowed him to work with all the great artists of the century such as: Nicolas de Staël, Serge Charchoune, Robert Delaunay, Wassily Kandinsky and Serge Poliakoff. In parallel, Jean created his own pieces in an expressionist style. Later on, he started working on classic subjects like dead nature, landscapes and portraits.
In the late 30s, he turned towards abstraction and practiced different techniques including collage and mixed techniques. But this period lasted only a short time and under the influence of the New Figuration movement, he took a figurative style. He kept his predilection for bright colors although his choice of colors softened gradually.
Throughout his career, he has been in constant contact with artists from all the great movements of the 20th century: Geometric Abstraction, New School of Paris, Lyrical Abstraction, Cobra, and many others.
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