Bijoutier, 2019
Painting : oil · 80 x 80 x 2 cm 31.5 x 31.5 x 0.8 inch · Ready to hang
$2,923
2 923 $US
Delivered in time for Christmas
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 244
Estimated delivery: Less than one week
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Verified Reviews : 9.6/10
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About the artwork
Type
Painting : Unique artwork
Condition
Artwork sold in perfect condition, not framed, ready to hang
with stretcher frame
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Hand-signed by artist
Dimensions ( cm • inch )
80 x 80 x 2 cm 31.5 x 31.5 x 0.8 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015
Discount
This seller offers discount when you purchase multiple artworks.
Description
Why these portraits? Because virtual art is on the move and I wonder about the future of creators who work in the solitude of their studio, here are some portraits of creators that I wanted to paint in the light. The capitalist speculators, the very ones who today control artistic commodities, claim that tomorrow; Art will only be virtual, intangible, clean and odorless. In the process of creating a work, we build, we capture forces and immediately we feel our soul vibrate. Are we not going to experience indefinable frustration if we can no longer caress, shape matter, manipulate materials and if we can no longer smell smells? Will we still be afraid of not succeeding? Will we have the same enthusiasm to do? Will we be free to decide? If they want to exist and live off their Art, the needy creators, already confronted with elitism and the contempt of unscrupulous individuals will have to exchange their material for a machine. Will a work produced by computers make us feel the same emotions as when we contemplate a work worked by the genius of the hand that seeks intelligence? How will we be able to differentiate a virtual reality from the real? What will become of all these inventive creators, who transform the material and who will not want to follow this movement. They are talented and encounter great difficulties in making a living from their Art, because they have to pay for places at very high prices to exhibit in Art markets? Because they only receive income if they sell their creations and because they have become slaves in a speculative world of Art. After the pressing of a society of over-consumption which manipulates us, devours us and which destroys nature, here is the time for the automation of Art. How many will we be disobeying and rebelling? Is there not a danger in discovering only images upon images? Will we still make the effort to Imagine? Do we not also risk becoming automatons bombarded by waves and locked in a virtual image? I believe that IT is a useful tool when it allows us to communicate, to improve our concepts and when it helps us to materialize our creations but it can be destructive if these productions become pre-fabricated, formatted and manipulative . It is the machine that operates through powerful software, rendering us physically inactive. Will there still be carelessness, clumsiness and accidents, unconsciously caused by the creators and which are sometimes at the origin of masterpieces? What place will we leave for spontaneity, the unexpected and irregularity? What will be the aesthetics and the search for Harmony? What will become of the passion of the Artist locked in a space, in front of his screen? What will become of science intimately linked to Art? Are we not going to imprison ourselves a little more in individualism, forget to discover the world and ignore nature? - J. Saya - 2019
Presentation
"I paint what I think and my paintings never match what I expected!" In recent years, Josiane Saya has developed an oil painting technique on metal. Training 2001 - 2003 Modular Training in Applied Arts in Boulle and Duperré schools. 2001 - 2002 Training Oil painting by Ferdinando Coloretti - Graphic designer. 1990 - 1995 Training Oil painting by Pierre Ramel, pupil of Mac Avoy - Painter Vice-President of the Salon d'Automne in Paris (90s). 1986 - 1990 Training Oil painting by Claude Sutter - Painter Member of the Salon d'Automne in Paris (90s). 1967 - 1976 Training in Watercolor, Ceramics, Mixed Techniques by M.Lagabrielle - Painter - Watercolourist - Ceramist, graduate of the School of Fine Arts in Bordeaux.
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