Letter from Louis Marcoussis to Countess Pecci Blunt, 1933
Louis Marcoussis  

Painting : Watercolour · 27 x 21 x 0.2 cm 10.6 x 8.3 x 0.1 inch

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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

Dimensions ( cm • inch )

27 x 21 x 0.2 cm 10.6 x 8.3 x 0.1 inch Height x Width x Depth

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Description
Autograph Letter Signed, on headed paper "61, Rue Caulaincourt", with initial and sentence "Chère Amie", painted in watercolours and decorated with tears, including an envelope with a stamp dated 24 August 1933. (21x27 cm). Perfect conditions.

Marcoussis was a French-born Polish painter and engraver. His real name was Ludwik Kazimierz Władysław Markus, but once he transferred to Paris he changed his name under Apollinaire' suggestion, adopting the French pseudonym of "Marcoussis" inspired by a suburb of the city.

His first paintings were essentially impressionist, but since 1910 he embraced the Cubist trend alongside Picasso, Braque and Juan Gris. His works were exhibited on various occasions both in Europe and the USA, and in the Section d'Or in 1912.

This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 50 years ago by an artist who has died requires a licence for export regardless of the work’s market price. The shipping may require additional handling days to require the licence according to the final destination of the artwork.

Navy blue

Louis Marcoussis, Letter from Louis Marcoussis to Countess Pecci Blunt
France  • 1878

Presentation

Marcoussis is the pseudonym of the French-born Polish painter Ludwik Casimir Markus, who came from a wealthy Jewish family in Warsaw. He moved to Paris in 1903 and gained French nationality thanks to the value demonstrated during World War I. He made his first impressionist paintings and earned money by selling caricatures to satirical magazines, including "La Vie Parisienne" and "Le Journal". He attentively attended Parisian coffees as La Rotonde, Cirque Médrano and L'Ermitage, where he met Edgar Degas around 1906 and Braque, Picasso, Gris and Apollinaire in 1910. Apollinaire, the influential poet of the Calligrams, suggests him to adopt the French pseudonym of "Marcoussis", inspired by a suburb of Paris near Montlhéry. The Apollinaire's influence will never abandon him.


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