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Isabel Tronçon, Gerbe de rires - série couleurs de l'île de la Martinique, Painting on canvas
Isabel Tronçon, Gerbe de rires - série couleurs de l'île de la Martinique, Painting on canvas
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Isabel Tronçon, Gerbe de rires - série couleurs de l'île de la Martinique, Painting on canvas
Isabel Tronçon, Gerbe de rires - série couleurs de l'île de la Martinique, Painting on canvas

Gerbe de rires - série couleurs de l'île de la Martinique, 2016
Isabel Tronçon  

Painting : oil · 80 x 80 x 2 cm 31.5 x 31.5 x 0.8 inch · Ready to hang

€1,320 1 320 €

One of the last works available by this artist

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Shipped from: France

Delivery to: France , € 53

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Verified Reviews : 9.6/10
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About the artwork

Type

Painting : Unique artwork

Condition

Artwork sold in perfect condition, not framed, ready to hang

with stretcher frame

Authenticity

Sold with certificate of Authenticity from the gallery

Invoice from the gallery

Signature

Hand-signed by artist

Technique & Support

oil on canvas

Dimensions ( cm • inch )

80 x 80 x 2 cm 31.5 x 31.5 x 0.8 inch Height x Width x Depth

Sold by

Art gallery

Concept Store Gallery • France

Credentials

Vetted seller since 2018 • Top Seller

Description
Abstract painting - Mixed media
Isabel Tronçon, Gerbe de rires - série couleurs de l'île de la Martinique
Isabel Tronçon

Isabel Tronçon

France  • 1968

Presentation

Isabel Tronçon is born at the edge of May 1968, and she inherited from it a singular need of liberty. She paints since she's 18. Her material is the abstract, her weapon the knife, her condiment the oil.

She is a passionate admirer of Nicolas de Stael and Zao Wou Ki. She juxtaposes the colors, they fight, they love, they embrace each other, penetrates and love again. She describes the wind and its movement, the sun and its' smell, the sand, the boring...

Isabel Tronçon finds in the abstract art a connexion with jazz music, surrealism, the Nouveau Roman style, modern philosophy a sort of non conformism, a singularity, a fantasy or what calls the art critic Alexandre Benois the "zero of the forms". To put it in a nutshell, an aesthetic autonomy or an extended language, if ever utopian or avant garde.

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