End Point, 2021
Photography : black & white edition · 50.8 x 50.8 cm 20 x 20 inch
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Shipped from: United States
Delivery to: United States , $ 109
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About the artwork
Type
Photography : numbered and limited to 5 copies
1 copy available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
50.8 x 50.8 cm 20 x 20 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2015 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
This image is part of an ongoing series started in 2006.
To create the images, Webber stretches and layers yarn on a pre-cut frame. The resulting images are made by placing this plate on black and white photographic paper in the darkroom. The photograms are printed in editions of five, with variations.
The imagery is constructed using layers of thread, in order to create rhythmic, intuitive compositions that provide tension between the organic and rectilinear phase. They suggest macro or micro views of nature, or those of man.
The plaque for this image was Webber's first exploration using loose threads. Starting with a measured grid formation, Webber then carefully cut specific threads; every print of this edition has changes.
This is edition 2 of 5.
Presentation
Her photos are influenced by the work of a long series of abstract artists. These mainly include the bold drawings of stick painting by Richard Serra, geometric assemblies of Barry Le Va and the fine minimal process of Agnès Martin. Her work is in the same lines of "rayographers", or photo-grams, set up by artists such as Man Ray and Laszlo Moholy-Nagy. Based on these works of artists, Webber was able to develop a a unique approach and create her own photo-grams, she includes elements of sculpture and drawing and of course counts on chance.
During the last 25 years, Tenesh Webber has been working on large-scale or wall-sized photos, handling photos in a darkroom, or manipulating the negatives in the camera. Webber's process begins with sketches, in which she develops ideas of images. She then creates two-dimensional objects with a sewing thread, or a marker on plexiglass.
Jane Ursula Harris, commissioner/writer wrote about the artist: "Thanks to the various means which brings out repeated variations, Webber's minimalist forms reveal infinite possibilities of photo gram which can be used not only as the means but also the process. Like the poetic constraint of painted grids by Agnès Martin, these abstract images in black and white, designed through layers of thread, hum with the subtle energy which can only be provided through hand gestures".
Webber's work is part of public and private collections, including the ones in the Brooklyn Museum and Barclays Bank, New York. She received several grants and awards for her work, including two grants from the Art Council in Canada, several grants from Artist's Space, New York... Webber has exhibited her work around the country, but has also done individual and collective exhibitions in Europe.
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