Carlos Alcaraz, 2022
Photography : inkjet · 40 x 60 x 0.1 cm 15.7 x 23.6 x 0 inch
$1,284
1 284 $US
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 127
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Sold with certificate of Authenticity from the gallery
Invoice from the gallery Learn more
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : numbered and limited to 10 copies
10 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
40 x 60 x 0.1 cm 15.7 x 23.6 x 0 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2014 • Top Seller
Description
Final of the Madrid Tournament, May 8, 2022
Carlos Alcaraz and Alexandre Zverev in the hallway leading to the court.
30 copies in all including 2 EA (AP)
5 possible sizes
30X45: edition of 10
40X60: edition of 10
60X90: edition of 5
80X120: edition of 3
100X150: edition of 1 (unique print numbered 1/1)
Carlos Alcaraz and Alexandre Zverev in the hallway leading to the court.
30 copies in all including 2 EA (AP)
5 possible sizes
30X45: edition of 10
40X60: edition of 10
60X90: edition of 5
80X120: edition of 3
100X150: edition of 1 (unique print numbered 1/1)
Presentation
When she was 14 she was playing tennis and taking photos. She decided to combine both passions and become a tennis photographer.
It was a meeting with Chris Evert, who she was photographing at a training session at Roland Garros, that helped her achieve her goal. The champion encouraged her, gave her tickets for the tournaments she was playing in in Europe and Corinne travelled to the opens and took photos.
She was extremely motivated and put all her energy into taking photos behind the scenes at tournaments. Tennis Magazine started publishing her photos in their "Backstage" column. It was the same magazine that offered her a stepping stone by hiring her in 1990 to assist photographer Serge Philippot.
After 13 years spent working with him, she went freelance. She carried on traveling all over the world to cover tennis events, but also to produce portraits and documentary features. She covers all sports and loves this new opening in her career.
It was a meeting with Chris Evert, who she was photographing at a training session at Roland Garros, that helped her achieve her goal. The champion encouraged her, gave her tickets for the tournaments she was playing in in Europe and Corinne travelled to the opens and took photos.
She was extremely motivated and put all her energy into taking photos behind the scenes at tournaments. Tennis Magazine started publishing her photos in their "Backstage" column. It was the same magazine that offered her a stepping stone by hiring her in 1990 to assist photographer Serge Philippot.
After 13 years spent working with him, she went freelance. She carried on traveling all over the world to cover tennis events, but also to produce portraits and documentary features. She covers all sports and loves this new opening in her career.
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