Mémoire de JingDeZhen village YaoLi, 2013
Photography : HD print · 40 x 60 x 1 cm 15.7 x 23.6 x 0.4 inch
$700
700 $US
Shipping & delivery
Shipped from: France
Delivery to: United States , $ 105
Estimated delivery: One to two weeks
Free returns within 14 days, full refund
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Verified Reviews : 9.6/10
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About the artwork
Type
Photography : numbered and limited to 8 copies
2 copies available
Condition
Artwork sold in perfect condition, not framed
Authenticity
Sold with certificate of Authenticity from the gallery
Invoice from the gallery
Signature
Signed artwork
Technique & Support
Dimensions ( cm • inch )
40 x 60 x 1 cm 15.7 x 23.6 x 0.4 inch Height x Width x Depth
Sold by
Art gallery
Credentials
Vetted seller since 2014 • Top Seller
Discount
This seller offers discount when you purchase multiple artworks.
Description
The work was presented in the "Made in China" exhibition at the National Historic Monuments (Palais du Tau in Reims). The artwork shows the ancestral porcelain village of JingDeZhen. Already in Tang Dynasty 581-618, Jingdezhen in Fuliang District was said to have "ovens connecting one village to another, ovens lit everywhere."
Presentation
Born in China (Hubei) in 1976, holding an economics and management degree, Feng Hatat is married and lives in Reims.
A professional photographer since 2005, she founded the Rêve-Ville (Dream-City) agency with Alain Hatat. Her favorite means of expression are centered on the reportage, the illustration but also portraits of creative people.
She observes things quietly, and then she captures them with her camera. She likes to experiment with new angles. She always makes sure that her photographs tell a story. She is passionate about creating a set for her characters. She meets them more often ""off stage"", when they go behind the scenes, in unusual settings, in natural light. Curiosity and the aesthetics are her main guidelines.
A professional photographer since 2005, she founded the Rêve-Ville (Dream-City) agency with Alain Hatat. Her favorite means of expression are centered on the reportage, the illustration but also portraits of creative people.
She observes things quietly, and then she captures them with her camera. She likes to experiment with new angles. She always makes sure that her photographs tell a story. She is passionate about creating a set for her characters. She meets them more often ""off stage"", when they go behind the scenes, in unusual settings, in natural light. Curiosity and the aesthetics are her main guidelines.
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